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A Meeting by the River: A Novel (FSG Classics), by Christopher Isherwood
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Isherwood's final work of fiction—an epistolary novel that explores sexual identity and Eastern mysticism
After a long separation, two English brothers meet in India. Oliver, the idealistic younger brother, prepares to take his final vows as a Hindu monk. Patrick, a successful publisher with a wife and children in London and a male lover in California, has publicly admired his brother's convictions while privately criticizing his choices.
First published in 1967, A Meeting by the River delicately depicts the complexity of sibling relationships—the resentment and competitiveness as well as the love and respect. Ultimately, the brothers' exposure to each other's differences deepens their awareness of themselves. In A Meeting by the River, Christopher Isherwood dramatizes the conflict between sexuality and spirituality that inspired his late writings.
- Sales Rank: #1204969 in eBooks
- Published on: 2013-11-19
- Released on: 2013-11-19
- Format: Kindle eBook
About the Author
Christopher Isherwood (1904–1986) was born outside Manchester, England. He lived in
Berlin from 1929 to 1933 and emigrated from Europe to the United States in 1939. A major figure in twentieth-century fiction and the gay rights movement, he wrote more than twenty books, including A Single Man and Goodbye to Berlin.
Most helpful customer reviews
0 of 0 people found the following review helpful.
mainstream or cult?
By Mr. D. P. Jay
I wonder how much of this book covers similar ground to Isherwood’s book ‘My Guru And His Disciple ‘ but it’s so long ago that I read it that I am not sure. I became suspicious when Ollie mentioned his ‘Mahanta’ – the title of the leader of an American spiritual group (regarded by some as a cult) called Eckankar.
I am not sure why such a fuss is made of the brother becoming Brahmacharya. This is simply the first of four stages which any high-caste Hindu takes below the age of 25 and doesn’t automatically lead on to the other, more ascetic stages.
The Sanskrit title maharaja was originally used only for rulers who ruled a considerably large region with minor tributary rulers under them. Since the mediaeval times the title was used even by rulers of smaller states since they claimed to be the descendants of the ancient maharajas. In this book it is used of a chief monk – as it was when the Beatles went to India. The title seems to be used mainly for Hindus who spread their ideas outside India.
The shraddha ceremony seems to be limited to certain branches of Hinduism – the again, ‘Hinduism’ is a Western term and it doesn’t fit the huge variety of religious practices which it claims to label.
Yes, in an interview with the Paris review, he claims that “two monks from the Vedanta monastery here were coming out to India to take their final vows, sannyas, and I was in close contact with their feelings and the whole predicament of being about to take sannyas. For a long time I’d wanted to write a confrontation story where the representative of something meets the representative of something else, and quite suddenly it came to me that this was the way to do it. I talked a great deal with the monks afterward while I was writing it and checked up immensely on the details.”
Two people who know more about India and its vast array of religious practices, however, tell me that scepticism about the monastic details are unfounded. I admit that leaning about Hinduism in a white, Western university isn’t the whole story.
There are autobiographical bits: “Not long after I met Swami Prabhavananda, the war began, and I went to work with the Quakers at a hostel for refugees in Philadelphia, and after 1940 and Pearl Harbor I volunteered to join a Quaker ambulance corps going to China.”
0 of 0 people found the following review helpful.
Isherwood's Final Reckoning with Religion
By RNJ
Isherwood’s final novel, Meeting is both enjoyable and frustrating to read. The story of two brothers—told mostly in an epistolary fashion—holds one’s attention most of the time. The prose, as always, is seductive, leading a reader from one sentence to the next, one letter to the next. The author’s grasp of his material, that one of the brothers, Oliver, is planning to become a Hindu monk, is quite adequate—based on his own extensive study of and participation in the religion.
But the storytelling seems facile at times. The plot becomes a bit more complex when the other brother, Patrick, is married but is having an affair with a young man named Tom. Oliver finds out rather by accident and is unmoved by it, stating that from the standpoint of being Hindu, he doesn’t care. What is odd and a bit disconcerting is that none of the letters that Patrick or Oliver writes is ever answered directly. They both dutifully write their mother, and Patrick writes his wife. However, except for very rare indirect references to their responses, all of the information is outgoing—limiting the scope of the narrative, no doubt Isherwood’s intent. But why?
I located his thoughts concerning the novel from the second volume of his Diaries: “Yesterday I finished the first draft of A Meeting by the River; it has taken me exactly three months, to the day! I have just finished reading it through. There is something in it. But it seems quite boring in parts. Perhaps it needs cutting down to a long short story. It’s now 110 pages—let’s say a bit over 35,000 words” (367). I believe his instincts are headed in the wrong direction. He must add to it!
Isherwood also receives a response to a third draft from friend and writer, Edward Upward: “Obviously the reader isn’t meant to accept Patrick’s view that Oliver is becoming a monk in order to escape the ambitiousness which is natural to him but which he knows their mother wouldn’t approve of in him . . . . On the other hand the reader can’t quite believe that Oliver becomes a monk solely because the social work he’s been doing doesn’t seem ‘real’ enough to him” (400). Diaries.
I believe this observation is what makes the novel not as strong as it might be: one is never convinced of either character’s viability. One doesn’t learn enough about Oliver’s former social work to be able to compare it to what he might accomplish as a monk. One doesn’t quite believe that Patrick works in Hollywood, that he either loves his wife and children, or that he loves Tom, his paramour. And both characters, because of the similarities in their prose, might as well be two manifestations of the same character! Though Isherwood talks himself and his editor into publishing the book in this condition, there seems to be a lot missing. It, like A Single Man, is only about 50,000 words. If Isherwood could have added at least 30,000 words and developed both characters to their fullest, if he could have used the letter writing to its fullest capabilities, the reader might have become a bit more compelled to care about either brother and what happens to him.
0 of 0 people found the following review helpful.
Five Stars
By Lulu
Beautifully written story on the shores of the Ganges in letter-diary format about 2 brothers and their relationship.
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