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Lych Way (The Undertaken Trilogy Book 3), by Ari Berk
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In the stunning conclusion to the Undertaken trilogy that Publishers Weekly called “a thought-provoking gothic fantasy,” Silas must master his powers and confront a past that is anything but dead.
Silas Umber has returned from Arvale, his family’s ancestral home. Frantic to retrieve the shade of his beloved Beatrice, he turns his back on the spectral chaos he has left behind, unaware that the malevolence he unleashed has followed him back to Lichport.
As his family and friends suffer and fall at the hands of the vengeful Huntsman from Arvale’s sunken mansions, Silas must reach deep into his complicated bloodline to summon powers and wisdom beyond those required of a simple Lichport Undertaker. But the dark and painful secrets of his birth threaten to overwhelm him, and if he can’t lay the ghosts of his own past to rest, Silas may lose everything and everyone he has grown to love and worked to protect.
- Sales Rank: #1305636 in eBooks
- Published on: 2014-02-25
- Released on: 2014-02-25
- Format: Kindle eBook
From School Library Journal
Gr 7 Up—Silas returns from Arvale, unaware that he has unleased an ancient and tormented spirit. The Lichport Undertaker must summon the power within himself, and be prepared to make the necessary sacrifice, in order to preserve all that he loves.
About the Author
Ari Berk is the author of the Undertaken trilogy and Nightsong, illustrated by Loren Long. He works in a library filled to the ceiling with thousands of arcane books and more than a few wondrous artifacts. When not writing, he moonlights as professor of mythology and folklore at Central Michigan University. He lives in Michigan with his wife and son. Visit him at AriBerk.com.
Excerpt. © Reprinted by permission. All rights reserved.
Lych Way
A FALCON TURNED SLOWLY IN the cold air, its arcs becoming wider and higher with each pass it made over the corpse.
It rose above the cobbled lanes and leaning houses and flew north, past the bare trees whose roots cracked the sidewalks on most of Lichport’s crumbling streets. It could see the river in the distance ahead. Then, as though it had changed its mind, the bird banked, and flew back the way it had come. It circled once more far above the body and then stooped, dropping from the sky into a blur until it opened wide its sharp-tipped wings again, briefly holding the air before landing gently on the dead woman’s shoulder. The falcon flapped quickly, finding its balance. Dark and light markings flashed from the underside of its wings as it lifted its yellow legs up and down, careful not to pierce the corpse’s clothing or flesh with its talons.
The peregrine tilted its head to the side and looked at the woman’s dull eye with its bright one, perhaps seeing its own reflection. Leaning closer, the bird moved its smooth beak slowly across the woman’s face as though to wake her. It plucked tentatively at the disheveled tresses of hair lying across her face and shoulders. The bird stood atop the body, crouching, vigilant, jerking its head sharply this way and that, attentive to each sound it heard—branches scraping against one another, distant waves falling to shore, anything that moved or stirred the air.
The falcon waited like that for some time before a movement farther down the street caused it to leap into the sky again. Another corpse, desiccated and elderly, shambled toward the woman’s body and, lifting it from the ground, carried it away. The peregrine followed above them, unseen and silent, in the direction of Temple Street, where the one corpse carried the other up the stairs and onto the veranda of a large house. On the roof of that house, the falcon perched upon one of the spiral brick chimneys and waited. Inside the house—she knew with the instinct of a mother—was Silas Umber, who in life had been her son.
LEDGER
It is now surely beyond any dispute that the first death watch, the original Hadean clock, was built by Daedalus. Hesiod makes no mention of this episode. True. But what cared he for the machinations of mere men? Pausanius, Apollodorus, and Ovid are all cryptic, and generally reliable, but the most detailed account is found in the “lost” portions of Hyginus’s Fabulae. No other versions of this account exist but, in truth, what classical author would have written openly on such a matter, particularly in those long ago times when selfish, vengeful gods walked closer to the sides of men? Who would scribe a story that would have reddened the face of Hades with shame, only to have such records used against them when they later arrived in Tartarus’s dark tribunal halls, where more creative punishments might be meted out over the long eternities? Then as ever: better to say little and live long.
Nevertheless, my own careful studies of the surviving accounts reveal that Daedalus, on the occasion of his son’s death, sought to confound the work of Hades, the Lord of the Dead. Mors was then merely the herald, not yet king, and so it would indeed be Hades that would take offense at such an undertaking. Daedalus’s cleverness was considerable. With his son’s corpse close by, he created a kind of clepsydra, or water clock, and in a small metallic chamber below where the water pooled, he summoned and locked up the ghost of his son, so that the boy would not be lost to him, could not be taken away into the lands of shadow. Nor could his son’s spirit wander—that most terrible of fates. Father and son would remain together. Hades, go hang.
All depictions of the original device are lost, but its workings we know well enough from the writings of the those Undertakers, those inheritors of Daedalus’s invention, who both saw that first Hadean clock, kept it safe, and who later made their own versions, each with the technology that time and their own craft afforded them. I suspect, since Daedalus’s day, the technique has been more or less consistent. The clock merely kept the time, noted the passing of moments and hours, by the flow and collection of water (and later, by mechanism), a simple reminder of man’s fleeting mortality. But, with the spirit entrapped within, when the workings of the clock were halted, when the hole through which the water passed was blocked with wax (or the dial stopped), time halted its course as well, and the dead could be perceived.
How the particular “spiritual” mechanism functions remains a considerable mystery. And surely, long ago, the action must have been performed with some trepidation, for the halting of time would have been an affront to both Hades (who so relies on time’s passage to carry death to mortals) and Cronos himself, the miserable Titan who fathered Hades into the world so that the dead might be herded like cattle into pens and thereby remain peasants, even in the afterlife where we might all one day have continued on as kings in our own manors and blissful estates, had things been otherwise.
Still, we may speculate that when the forward motion of time, or its semblance, was halted, the entrapped soul, sensing the moment or lack thereof, would seek to make a way for itself into that Other World that is the inheritance of every soul. Yet, being bound, and though the gate, or Lych Way, be opened, the ghost could make no egress. But the pale light of those shadowlands, passing into our world through the Lych Way as a mist, or rather, a sort of Plutonian ether, might make transparent mortality’s curtain, revealing, with time suspended, the presence of the dead yet residing within or about our mortal sphere.
It is perhaps best not to dwell too long upon the miserable irony of Daedalus’s creation. For while he sought freedom for Ikarus from that harsh imprisonment Hades would have put upon him below in Tartarus, by setting his son’s ghost in the prison of the clock’s mechanism, Daedalus himself became Ikarus’s unwitting jailor. But in truth, what father does not seek, through love or necessity, or ignorance, to choose for his son that occupation that will keep him gainfully employed and close to home?
—FROM THE HIDDEN HISTORIES OF THE HADEAN CLOCK, ALSO CALLED THE UNDERTAKER’S FRIEND AND BURDEN, BY JONAS UMBER
Most helpful customer reviews
5 of 5 people found the following review helpful.
A wonderful ending to a great trilogy! I'm sorry to see it end.
By Jessica Stefani
Over the last few days I have spent many a joyous hour curled over the pages of Ari Berk’s latest creation, Lych Way. The book is well worth the read. My stomach tightened deliciously at the rich and often dark atmosphere as I was acutely drawn back into the world of Silas Umber - the Undertaker of Lichport. Then there were times that a lupus haze engulfed my imagination as I became fascinated by the rites of death and the grave from other cultures. In short, as always, Ari Berk’s writing is spellbinding.
I do not want to give away any juicy secrets from the book, so all I’ll say is that for anyone who has been awaiting the final installment of the Undertaker trilogy I promise you it is well worth the wait. I, for one, felt as if no time had passed between the closing of Mistle Child and the opening of Lych Way. Within three pages I was consumed by the story and I forgot anything that may have happened in between. Mr. Berk does a wonderful job at providing entertainment while also exploring the delicate dialogues that surround the nature of death, self-discovery, and the sacrifices that breathe life into the world. The Undertaker trilogy presents young readers with a hero who grows and matures with them and, therefore, a safe and exciting means to explore complicated ideas. But, the books are not just for young adults; the characters are woven together splendidly, as the faults and heroics of each person winds throughout the book(s). There is also a wide breadth of delightful detail pertaining to death lore and myth which are more than capable of keeping anyone entertained.
The rich and intricate tapestry of folklore, adventure, and just the right thread of spine tingling terror that began in Death watch is bound and brought together in a satisfying end to the tale of the Undertaker in the opening of Lych Way. Read it. Enjoy it. I know I did.
4 of 4 people found the following review helpful.
I want more!
By Charles
A spectacular conclusion to a splendid trilogy. I hope that the dead don't stay in the ground long and that there will be more adventures with Silas Umber in the future.
2 of 2 people found the following review helpful.
Lych Way, the trail of the dead.
By J.Taylor
There is not one sense that is not engaged in a book written by Ari Berk. You will smell the bogs and feel the cold, and sympathize with the walking dead. Lych Way is the third book in the Undertaken series, which began with "Death Watch" and followed by "Mistle Child". He tells the story of Silas Umber who takes over his father's occupation of walking stranded spirits back to the beyond. All of this of course happens in a town where death is a way of life, a town that is the center of a Lych Way, a crossroads for spirits. The locals depend on Silas to handle the job. This is rich, eery and unsettling writing, written by a man whose many interests come to bear on a hell of a good story. Book one is a must do if you haven't read it, while book two feels more like a book that gets us to book three. Lych Way is worth the time, which by the way may be your first lesson in Time as an illusion; a day can pass reading this book that you swore was only two hours long. J. Taylor, Yaroos.com
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