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Innocence, by Penelope Fitzgerald
Fee Download Innocence, by Penelope Fitzgerald
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Beautiful Chiara is the last of the Ridolfi, a Florentine family of long lineage and eccentric habits. She is smitten with Salvatore, a brilliant but penniless doctor, a rational man who wants nothing to do with romance. This is the story of how these two--with the best intentions, the kindest of instincts, and the most meddlesome of friends--make each other wonderfully miserable inside.
- Sales Rank: #552060 in eBooks
- Published on: 2013-03-18
- Released on: 2013-06-11
- Format: Kindle eBook
From Publishers Weekly
This charming, amusing and deft novel by a winner of the Booker Prize is set in Florence in the 1950s, though the characters might have stepped directly out of the Renaissance. The slightly eccentric characters share the trait suggested by the title, and never once does Fitzgerald strike a false note. Unique in the annals of Euro-American marital commerce is an aging count who trades his aristocratic lineage to an American in marriage and is "left worse off than before." His daughter, beautiful, featherbrained Chiara, loves the solemnly scientific neurologist Salvatore, who has fled his native southern Italy and his father's deep involvement in politics; the elder is a passionate disciple of one of Mussolini's most distinguished victims. Others in a richly peopled scene include Maddalena, accurately known as Aunt Mad, and the hearty, bumptious, meddling, English schoolgirl Barney. This is a comedy of manners in the distinctively English tradition, brimming with the sweet pleasures of that high style. The novel shines with intelligence, wit, sly irony and the observant eye of a writer who seems unable to miss anything pertinent to her vocation.
Copyright 1987 Reed Business Information, Inc.
Review
'Reading a Penelope Fitzgerald novel is like being taken for a ride in a peculiar kind of car. Everything is of top quality - the engine, the coachwork and the interior all fill you with confidence. Then, after a mile or so, someone throws the steering-wheel out of the window.' Sebastian Faulks 'Wise and ironic, funny and humane, Fitzgerald is a wonderful, wonderful writer.' David Nicholls 'Penelope Fitzgerald's Innocence seems to me to be about real people undergoing real experiences, more real and more interesting than most biographies, and it carries absolute conviction as to time and place. What more could one ask of a novel?' Spectator Books of the Year 'Innocence weilds a curious fascination, replete with the sense of sleepy, slightly anxious fatalism that pervades much of the Italian cinema of the period. Its magic, and its message, are as oblique and inconclusive as the lives of its characters, but both have a lingering power, refreshingly fictive, deliciously un-English.' Literary Review 'I know of no one who expresses so deftly and entertainingly the way in which life seldom turns out as expected. A wonderful book.' Spectator 'This is by far the fullest and richest of Penelope Fitzgerald's novels, and also the most ambitious. Her writing, as ever, has a natural authority, is very funny, warm and gently ironic, and full of tenderness towards human beings and their bravery in living.' TLS
From the Back Cover
“A delectable comedy of manners.” —Boston Globe
The Ridolfi are a Florentine family of long lineage and little money. It is 1955, Italy is still struggling back after the war, and the family, like its decrepit villa and farm, has seen better days. Among the Ridolfi, only eighteen-year-old Chiara shows anything like vitality. But it’s a vitality matched by innocence—a dangerous combination, to herself and to all who love her.
Chiara sets her heart on the bull-headed Salvatore, a brilliant young doctor from the south who resolved long ago to be emotionally dependent on no one. Stymied, she calls on her resourceful English girlfriend, Barney, to help her make the impossible match. And so ensues a comedy of errors, in which guileless lovers, with the best of intentions, considerable charm, and the kindest of instincts, succeed in making one another thoroughly and astonishingly miserable.
“An exquisite mosaic, where every tiny piece is part of a world.” —A. S. Byatt, Threepenny Review
PENELOPE FITZGERALD (1916–2000) was one of the most elegant and distinctive voices in British fiction. She won the National Book Critics Circle Award in fiction for The Blue Flower, the Booker Prize for Offshore, and three of her novels—The Bookshop, The Gate of Angels, and The Beginning of Spring—were short-listed for the Booker Prize.
Most helpful customer reviews
8 of 9 people found the following review helpful.
A human comedy
By R. M. Peterson
Penelope Fitzgerald's career as a novelist -- she also was a noted biographer and essayist -- divided into two phases: first, novels set in England and relating in some way to her own life (one of which, "Offshore", won the Booker Prize); and second, novels that were more imaginary and with historical settings, usually foreign to England.
INNOCENCE (1986) was the first of her novels from this second phase. It is an offbeat comedy. Set in Italy in the mid-1950s, it revolves around the courtship and early years of marriage between Chiara Ridolfi, a young Italian countess from Florence whose family has lost much of its wealth, and Salvatore Rossi, a doctor from a backwater village in southern Italy. Chiara is a little on the flighty side, and Salvatore is overly sensitive about his plebian background, astoundingly self-centered, and often rude. Other principal characters (and they all are "characters" as well) are Chiara's father Giancarlo, her aunt Maddalena, her cousin Cesare (who maintains the family farm and vineyards), and her close friend from the convent school Holy Innocents in England she attended, Lavinia ("Barney") Gore-Barnes. The six of them find themselves in, or get themselves into, all kinds of odd situations which would embarrass, even mortify, most of us, but for them (usually) they prove to be so much water off a duck's back.
The novel's genre, I suppose, is "social comedy." But INNOCENCE is not really satiric, nor for the most part is it "laugh-out-loud." It pokes fun at its characters but more, to borrow a phrase, at "the human comedy." The humor is on the droll side, although some of the goings on approach the madcap and zany. INNOCENCE is literate, entertaining, and often witty. It is not much more, although I don't sense that Fitzgerald aspired for it to be much more.
At the conclusion of the novel, after tragedy has been averted seemingly through happenstance, Salvatore Rossi exclaims, "What's to become of us? We can't go on like this." Cesare, the taciturn one, responds: "Yes, we can go on like this. We can go on exactly like this for the rest of our lives."
16 of 21 people found the following review helpful.
Something has to come last
By taking a rest
I very much enjoy Ms. Fitzgerald's work, of the nine novels she wrote I have read 8, with The Booker Award Winning work "Offshore" remaining. Presuming those that bestowed the Award were correct, and the other reviewers of "Innocence" are also correct, if I were to rank the 8 novels I have read this is number 8, and is likely to be number 9 when "Offshore" has been completed.
Ms. Fitzgerald often has left a book with the ending open, at times in an initially jarring manner. This is again the case with "Innocence", and the ending is not alone. This work is lengthy when compared to most of Ms. Fitzgerald's works, and its length allows for more of the wonderful characters she creates, and the usually odd circumstances they create, or are victimized by. In this case, with one exception, even when well done, I generally felt nothing or actively disliked the players.
The exception is Barney, one of the most unusual, colorful, and unconventional characters Ms. Fitzgerald created. When a female is described when smiling, as having the perfect teeth for an Ogress you are reading about someone interesting. Barney is overwhelming in everything she does, there are no half measures, and the world of half tones is invisible to her. Snap decisions based upon a handshake suffice to sanction or condemn a marriage, choose a mate, and serve as a basis for her turning her life 180 degrees in less than a moment.
There is one other prominent player in the book, and he is the Doctor. However he is as annoying as he is prominent, and there is nothing entertaining or clever about him. He interacts with a variety of people who are all uniformly one dimensional, and are impossible to care about, much less dislike, they, like the story, drift along.
But as I said there is Barney. You have to love a woman who asks a pregnant friend, "Do you want a girl, or a little teapot?" Ms. Fitzgerald is a wonderful writer, and even this book is better than many other writers I have read. The previous works have just been so much better, that this was a disappointment.
8 of 10 people found the following review helpful.
Commedia
By Roger Brunyate
Penelope Fitzgerald did not start publishing novels until she was over sixty, but then she came out with nine compact volumes, amazingly varied in their setting and subject, but all filled with deep human wisdom. Her two best books, in my opinion, are THE BLUE FLOWER, set in the Germany of the early Romantics, and THE BEGINNING OF SPRING, set in Moscow shortly before the Russian Revolution. INNOCENCE takes place around Florence in the nineteen-fifties, when the Italian economy was beginning to re-establish itself after the war. Its leading characters, however, the Ridolfis, are aristocratic holdovers from a much earlier age. The family villa, the Ricordanza, is in disrepair due to lack of funds; the present Conte lives a distinguished but precarious life in a flat in Florence, accompanied by his daughter Chiara when she is home from her convent school in England; the family vineyards are run by her cousin Cesare, a man with few words but a good heart.
Near the beginning of this wry comedy (whose quality of romantic excess comes closest to THE GATE OF ANGELS), Chiara announces her engagement to a thirty-year-old doctor, Salvatore Rossi, and the larger part of the book shows how this romance came about. Rossi is from the South, a self-made man of humble origins, whose medical vocation was established at the age of ten when his father took him to visit the socialist Antonio Gramsci on his prison deathbed. Both lovers suffer from a stubborn innocence: Chiara in her impulsive generosity, Salvatore in his foolish pride. Their courtship is a whirlwind of misunderstandings; they seem as adept at making themselves miserable as the other happy. Likeable as they are, one wants to pick them up and shake them!
Fitzgerald is extraordinary for her ability to immerse herself in every aspect of Italian life of this period. This is far from the tourist Tuscany of fiction, and it is sometimes hard to recall that the book was not written by an Italian. An Italian, moreover, with an extraordinarily wide range of experience, encompassing people from all walks of life: aristocrats, workers, rich, poor, intellectuals, communists, and Vatican officials. It is so full of observations about history, politics, the economy, manners, and regional customs that it might almost be used as a source book. In some ways the texture of the story is more interesting than the story it contains. Fitzgerald does not make it easy for the reader; she expects us to share her knowledge rather than having her explain it -- several quotations, for instance, are left in the original Italian untranslated (it seems they are modified Dante). Despite its brief length and considerable wit, be warned: this can be a challenging book.
[Nothing that I can possibly say here is half so good as A. S. Byatt's wonderful account of Fitzgerald's novels in THE THREEPENNY REVIEW, an indispensable essay for anybody interested in this very varied author. It is available on line; select past issues #73.]
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