Kamis, 29 Mei 2014

>> Ebook Download Ruby Goldberg's Bright Idea, by Anna Humphrey

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Ruby Goldberg's Bright Idea, by Anna Humphrey

Ruby wants first prize at the fifth grade science fair—and she thinks her quirky, creative, Rube Goldberg–esque invention is just the way to get it! Rife with “depth and charm,” this story is peppered with engaging science facts and insights (Publishers Weekly).

Ten-year-old Ruby Goldberg is determined to win her school science fair and beat her nemesis Dominic Robinson. She’s snagged second place for the last two years, and she’s set on claiming first prize. The only trouble is that Ruby has no ideas. When her grandfather’s beloved basset hound dies, Ruby thinks of the perfect thing that will cheer him up and win her first place—an innovative, state-of-the-art, not-to-be-duplicated Ruby Goldberg invention!

Before long Ruby is so busy working on her idea that she ignores everything else in her life, including her best friend, Penny. And what started out as simple turns into something much more complicated! Can Ruby get her priorities—and her project—in order before it’s too late?

  • Sales Rank: #1535333 in eBooks
  • Published on: 2013-12-31
  • Released on: 2013-12-31
  • Format: Kindle eBook

From School Library Journal
Gr 3–5—Ten-year-old Ruby, invention queen, is named after the famous Rube Goldberg who made amazingly complicated machines that do really simple things. This year, Ruby wants nothing more than to get first place in the science fair. She is faced with a dilemma when she realizes she hasn't got an idea good enough to win, and, when she finally thinks of one, she needs the help of her worst enemy to get it done. Soon, all of Ruby's time is focused on her super secret invention while she shuts out everyone—from her grandfather to her best friend. Ruby is a fun character with a great heart. She learns a lesson about priorities and about being a good friend. The tale includes some history on the famous Goldberg's life and inventions. This story, complemented by illustrations throughout, is great for kids interested in science.—Terry Ann Lawler, Burton Barr Library, Phoenix, AZ

From Booklist
Named for the inventor and cartoonist Rube Goldberg, Ruby is the youngest of a family whose members all enjoy science. Ruby, in addition to sharing the family trait, feels a strong sense of competitiveness both at home and in the classroom. She’s constantly thinking about or working out mechanical ideas, even when she should be paying attention in reading class or listening to her best friend’s personal worries. And sometimes she gets so obsessed with her ideas that she ends up hurting others’ feelings. But she stumbles on an opportunity to be cooperative when her archnemesis at the annual science fair has his project proposal rejected, and she enlists his help to build a newspaper-fetching Rube Goldberg machine for her grandfather, who is depressed after the death of his dog. Ruby, who is much like Ramona Quimby, tries very hard to be caring, even if she sometimes misses the point, and Humphrey capably manages to develop her character without allowing the story to become didactic. Grades 3-5. --Francisca Goldsmith

About the Author

Anna Humphrey

Anna Humphrey is the author of Rhymes with Stupid and Mission (un)Popular, both novels for teens. Ruby Goldberg’s Bright Idea is her first novel for middle graders. She lives with her husband and kids in Toronto, Ontario.

Vanessa Brantley Newton

Vanessa Brantley Newton is a self-taught artist and has attended both FIT and SVA of New York, where she studied fashion and children’s illustration. Vanessa is the illustrator of Ruby’s New Home, A Team Stays Together!, and Justin and the Bully—all by Tony and Lauren Dungy—as well as Presenting…Tallulah by Tori Spelling. She hopes that when people look at her work, it will make them feel happy in some way, or even reclaim a bit of their childhood.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Who doesn't love Rube Goldberg?
By Dolores, a teacher
This is the perfect book to share with my class as we head into our own science fair. Unfortunately, many of our kids view science fair as a "have to" instead of cool opportunity to explore the world around them.

Ruby is persistent and enthusiastic. And the most important thing she learns from her science fair experience, is "how to be a good friend."

1 of 1 people found the following review helpful.
Ruby the Engineer Girl Rocks, because my son says so.
By Anna L. Maste
I read this book to my six-year-old son while he was home sick over the span of about 3 days. He ADORED it. My only complaint was that my voice was hoarse by the end of the reading, because my son wouldn't let me stop reading.

As a mother who happens to also be an engineer, I can't say enough how thrilled I am to see books like this one, with a female protagonist who is unapologetically in love with engineering (although it's never called out specifically as engineering in the book). And even more than that, there is never any questioning of her skills because of her gender, and no mention of it being uncommon among girls. Ruby's best friend is into dance, and that's fine. Ruby's into contraptions and building stuff, and that's fine too. There's a boy, initially a rival but who ends up becoming a friend, who helps Ruby, but it's clearly a collaboration rather than having a boy swoop in to teach her or save the day. This sort of treatment of the topic of girls and STEM subjects is long overdue, and it's done incredibly well in this book.

Not to mention, Ruby is just a likeable character and the story is compelling. She has a relatable voice, and the description of her Rube Goldberg contraption fantastic, especially to the inventive mind of a child.

My son asks regularly if this book has become a "series" yet, because he wants there to be more stories about Ruby and her contraptions. For now I guess we'll have to just be happy to re-read this again.

See all 2 customer reviews...

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Rabu, 28 Mei 2014

^^ PDF Ebook White Stallion of Lipizza, by Marguerite Henry

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White Stallion of Lipizza, by Marguerite Henry

The magnificent Lipizzan stallions of Vienna come to life as never before in this exciting story from Newbery Award–winning author Marguerite Henry, back in print by popular demand.

A young boy named Hans dreams of one day working with the famed stallions of Lipizza. But coming from a family of bakers, Hans is discouraged from ever becoming a rider. That is, until the day he is invited to watch the extraordinary Ballet of Lipizzaners—from the Imperial Box!—and his life is changed forever.

Marguerite Henry artfully includes authentic details about the skillful training of both horse and rider as she weaves the story of Hans and his beloved Lipizzan stallion, Borina. The brilliance of Hans’s dazzling public performances and his devotion to the art of classical riding make this story uniquely rich in history and horsemanship—a tale to be treasured by horse lovers of all ages.

This beloved story from Newbery Award–winning author Marguerite Henry features the original text and illustrations with gorgeous new cover art.

  • Sales Rank: #409556 in eBooks
  • Published on: 2014-03-11
  • Released on: 2014-03-11
  • Format: Kindle eBook

From the Publisher
The magnificent Lipizzan stallions of Vienna come to life as never before in this exciting story by award-winning author, Marguerite Henry.

A young boy named Hans dreams of one day working with the famed stallions of Lipizza. But coming from a family of bakers, Hans is discouraged from ever becoming a rider. That is, until the day he is invited to watch the extraordinary Ballet of Lipizzaners -- from the Imperial Box! -- and his life is changed forever.

Marguerite Henry artfully weaves authentic details about the skillful training of both horse and rider, as she unfolds the story of Hans and his beloved Lipizzan stallion, Borina.

The brilliance of Hans's dazzling public performances and his devotion to the art of classical riding make this story uniquely rich in history and horsemanship -- a story to be treasured by horse lovers of all ages.

About the Author
Marguerite Henry was the beloved author of such classic horse stories as King of the Wind, Misty of Chincoteague, and Stormy: Misty’s Foal, all of which are available in Aladdin paperback editions.

Wesley Dennis was best known for his illustrations in collaboration with author Marguerite Henry. They published sixteen books together.

Excerpt. © Reprinted by permission. All rights reserved.
White Stallion of Lipizza

Chapter 1 THE MORNING PARADE
THE CLOCK on the steeple of St. Michael’s church showed two minutes before seven. Hans, driving his father’s bakery cart, clucked to Rosy to hurry. In two minutes they must be at the Hofburg. Rosy broke into a shambling trot, clattering over the cobbles at her best pace. And just as the church bells were chiming the hour of seven the policeman on the Josefsplatz threw wide his arms in a commanding “Halt!”

From both directions all cars screeched to a stop. Hans pulled up smartly. His body alerted, and a smile of eagerness spread across his face. His luck and timing had been perfect this morning. He and Rosy were not only first in line, but they were nearest the curb, too. The very best spot to see.

It was the Lipizzaners Hans was watching for, the famous white stallions of Vienna. Every morning they were led out from their stables on one side of the Hofburg, then through the archway to the great old Palace which housed the Spanish Court Riding School. Here they were carefully trained in the intricate and beautiful movements of classical ballet. And here each Sunday great crowds thronged the vast hall to see their unique performance.

Hans, the baker boy, had never been inside the Palace. He had no money for a ticket. But the horses fascinated him, and morning after morning he maneuvered for a glimpse of them in passing. From before daylight, while he splashed just enough water on his face to pass inspection by his mother, he began scheming how to hurry her as she filled the big bakery trays with poppyseed bread and rye, long rolls and tiny kipferln. On the rare occasions when she was ahead of schedule, he dawdled over his tasks of carrying empty flour bags and butter tubs to the attic storeroom. But when she was behind, he pitched in and helped feverishly, one eye on the clock. In his haste he sometimes dropped a kipferl, and once he clumsily let go a whole tray of hot bread. That day he ended up last in line, behind all the spitting, chuffing automobiles, and in the fog and fumes he couldn’t see at all. But today, here he was in first place.

It was bitter cold this early February morning, but Hans was unaware of his cold fingers. The bright moment of his day had come. His eyes fixed on the great stable doors. They swung open. Even before he caught his first glimpse, his whole body vibrated to the kettledrum rhythm of hoofbeats on the cobblestones. First one vague shape emerged from the depth of the stables; then suddenly the semidarkness was slashed by a parade of white stallions, blanketed in red and gold.

“Notice me! Notice me!” Rosy neighed sharply. For a whisper of time the lead stallion glanced at the aged mare hooked to the bakery cart. Then he faced front, and in majestic dignity stepped across the street with long, supple strides. The other stallions never turned their heads.

Spellbound, Hans watched the rippling movement of the powerful hindquarters, the thrust of foreleg, the proud curve of the neck. A groom in dark uniform was leading each stallion, but he seemed part of the thick winter fog so that for Hans he did not exist at all. There were only the stallions, possessed of such power and nobility that Hans watched in a state of bliss as they crossed the street while all traffic stood still.

With their disappearance into the Palace, Rosy let out a whinny of yearning.

“Never mind, Rosy,” Hans spoke to the old mare. “At least the biggest one noticed you.”

The strident tooting of automobile horns set Hans in motion. He jiggled the reins and the old mare shook herself into action, ambling along at her own pace. She knew the next stop, and the next, and now that she had seen the white horses for this day there was no need to hurry.

Hans, born and reared in Vienna, accepted as his birthright the austere grandeur of the Imperial Palace; and he accepted the fame and beauty of the white stallions though he did not know the story of how they came to be in Vienna. When he first began watching them, he was satisfied with looking. It was an interesting event in his workaday world. He didn’t mind being a delivery boy. In fact, some of the waitresses at the coffee houses were very nice and gave him treats of thick slices of sausage, which he much preferred to the baked goods his father made. And he even liked school, now that he was in the seventh year where history and science were full of daring and adventure. His world was small and ordered, and seemed likely to flow on quietly, like an arm of the Danube.

But lately as he jolted along, the old wagon creaking, Hans began to feel restless. He felt shut out when the great doors of the Palace closed on the mysteries of what went on within. Moved by an urge almost like Rosy’s herd instinct, he felt he must join the white stallions.

“From the stable to the Riding School they go,” he thought, “from one paradise to another. While Rosy and I just deliver today’s bakery goods and pick up yesterday’s trays, some washed clean, some spattered with whipped cream gone sour.”

With his glimpse of the horses each morning, curiosity was building up in Hans. Now he watched the newspapers for accounts of the Sunday performances. Every picture of the Lipizzaners doing their ballet routines he clipped and saved. The names of the movements fascinated him. It was like another language. The capriole, the courbette, the levade, the piaffe. What did they mean? When was he going to find out what went on inside the great Riding Hall? How did the Riding Masters work the miracles he saw in the pictures? How did they make a great big powerful stallion stand up on his hind legs and hop along as if he weighed nothing at all? How did they get him to fly through the air like the winged Pegasus in his mythology book? How did they do it?

One night he cornered his father in the kitchen where he was braiding fat ropes of dough into bread. “Papa,” Hans blurted, “could I go to the Riding School and learn to ride the white stallions?”

Before the man could straighten up and answer, Hans’s mother handed him a shaker marked Poppyseeds. “Ach, Hans,” she said, “never has there been a rider in our family. Or your papa’s. The bakery business will be yours some day. Listen how nice it sounds: Hans Haupt: Braided Bread a Specialty. And when Rosy is gone,” she added as if offering a premium, “you buy yourself a shiny new truck, yes?”

Hans seemed not to have heard. He watched the pastry brush in his father’s hands as it slapped the melted butter up and down and across the fat cheeks of the braided loaves. Dutifully Hans shook the poppyseeds over them and watched them slither into place.

“Papa,” he repeated, “could I?”

“Hans!” his mother scolded. “Not so thick! The seeds come high. The price is up.”

Still there was no answer from the boy’s father. Not until a dozen loaves were glazed and shoveled into the huge oven did he give his full attention to his son. Studying Hans’s face, he wiped his floury arms and hands on his apron and settled himself into an old leather armchair in the living part of the kitchen. He nodded to his wife to leave the room. She picked up her bag of mending and obediently left. When the door had clicked shut, Herr Haupt smiled at Hans in understanding and affection. “The truth is what you want, eh, Hans?”



“Please!”

“Well, then, you must remember who you are.”

Hans shifted from one foot to the other; he hated long lectures.

“You come from a family of bakers, Hans. My grosspapa, my papa, your papa, and soon you. We are working stock. We do not venture behind the gates of palaces where great folks ride.”

“But, Papa, maybe if I just looked inside to see how . . .”

“No one is ever satisfied with looking, Hans. It only builds the hunger. Like a starving man watching through coffeehouse windows, seeing people lift the forkful of strudel to their mouth.”

He got up and roughed his hand through Hans’s flaxen hair, as if now the query were answered and settled for all time. “Wash your mind of the white stallions, Hans. They are not for us; they belong to emperors and kings.”

He chuckled softly to himself. “The life of a baker is not so bad. In a way he is an artist, too. Now, do your papa a favor and run to the tobacco shop and buy me a schilling’s worth of my regular mixture.”

On his way to the tobacconist, Hans joined a crowd of window-shoppers studying a lighted display of art collections. Among them were porcelain statues of the Lipizzans. They were so real-looking that just by squinching his eyes he could will them to life and make them jump clear across the window on their hind legs. In another window were red velvet saddlecloths bordered in gold, and saddles of leather so fine that Hans could almost feel their smoothness. Reluctantly he left the scene and bought the tobacco, his mind still busy with the horses.

Next morning at five minutes to seven he was slow-trotting Rosy past St. Michael’s gate. If they let all traffic whiz by and if they hugged close to the curb, they could again be first in line.

Most helpful customer reviews

32 of 33 people found the following review helpful.
Our Horses, Our Teachers
By Amazon Customer
Ah, what can I say about such an important book in my life?
Hans is a poor boy who dreams of riding dressage with the Spanish Riding School of his native Vienna. He attains his goal through hard work and perseverance, by his own merit and against the odds. The book is beautifully written with a flowing narrative style, engaging for both adults and children. The illustrations are the best I have seen from Dennis, at times humorous, at times scholarly, and always precise.
I did my senior thesis on the birth of dressage in the Renaissance, but without this book I would never have even heard of Xenophon, or the passage, or known that the Ancient Greeks rode without stirrups. I illustrated it with my own copies of Wesley Dennis's drawings from this book.
Also highly recommended as horsey history, "Gaudenzia, Pride of the Palio" by the same writer/illustrator team.
If you would like to find out more about Classical dressage please check out Laura Camins's "Glorious Horsemen" and Walter Leitdke's "Royal Horse and Rider," both of which deal with the birth of dressage in the Renaissance according to modern scholarship, and by extension the noble equestrian ballets of which the Spanish Riding school is the last still extant. Did you know that the Louvre's great central courtyard was designed to accommodate horse ballets exactly like those in this book?
When I first read this book, when I was about seven years old, I owned a Lipizzan mare of my own. She was for me what Borina was to Hans, my schoolmaster. She was small and gray, with a wide girth, branded, and very long lived. She would do caprioles as we galloped through the field, I kid you not. Were it not for this book I would not have the words to describe her, to remember her like this, and so I am indebted Marguerite Henry.
To bring one spark of beauty into the world is worth a life's dedication, is it not? Certainly mine.
Read the book and you will understand.

12 of 12 people found the following review helpful.
Buy it. Now.
By lsk4psu
If you have any doubts about purchasing this book, forget them and buy it now. I was given this book when I was a child (20 years ago) and it thrills to me to this day. Ms. Henry writes with such imagery that you find yourself caught up as Hans, the young boy who is captivated by the stallions. Not only is the writing terrific, but so is the artwork. This story is one of my all-time favorites.

5 of 5 people found the following review helpful.
Excellent horse novel for 8-14 year old kids. Horsemanship.
By A Customer
Wonderful story of a poor boy that is a son of a baker in Austria. He longs to see the Lippian horses perform their beautiful dressage ballet movements. He teaches his old cart mare to carry herself with pride and gets notice by the Spanish Riding School that trains the Lippizanners. He gets a job there doing exactly what he loves-riding for a living. This book teaches that hard work and passion for your work pays off. It also teaches that dreams can come true. It teaches horsemanship down to the smallest detail. I highly recommend this book. I can not believe that it is out of print-I wanted to carry on the tradition and buy it for my daughter now that we have a horse. Good Reading!

See all 37 customer reviews...

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Sabtu, 24 Mei 2014

!! Free PDF Ten Lords A-Leaping: A Father Christmas Mystery, by C. C. Benison

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The delightful Father Tom Christmas returns, and the cozy hamlet of Thornford Regis comes to life, in C. C. Benison’s witty, beautifully written series that is “a must-read for lovers of classic English mysteries” (Kirkus Reviews).
 
Although Father Tom Christmas serves his little church in enchanting Thornford Regis with a glad and faithful heart, he never expects to find himself skydiving to raise money for it. Nor, safely back on the ground, to see two of the other divers leap from the plane, then tangle in a midair punch-up and begin falling to the earth.
 
To say that there is tension between the men in question—Oliver, the 7th Marquess of Morborne, and his brother-in-law Hector, the 10th Earl of Fairhaven—would be an understatement. But the trouble among this ancient landed family really began a generation ago, when a marquess divorced his first spouse to marry his brother’s wife, fathering in his two marriages a viper’s nest of arrogant young aristocrats. Now they have all turned up for the show to witness this shocking event in the sky.
 
Thankfully the men land safely, but death will not be slighted. Much to Father Tom’s dismay, he later discovers Lord Morborne lying deceased on castle grounds. Rumors of bigamy, art forgeries, and upstairs/downstairs intrigue fly. So do whispers of unvicarly behavior between Tom and Oliver’s beautiful half-sister, Lady Lucinda. In fact, the vicar may be headed for a very hard landing of his own.
 
C. C. Benison gives a virtuoso performance in this gripping new puzzle, a compelling and wise holiday mystery with the irresistible allure of hot tea and warm scones on a cold winter’s day.
 
Praise for C. C. Benison’s Father Christmas mysteries
 
Ten Lords A-Leaping

“A strong mystery reminiscent of P. D. James, with many well-developed characters, local color and a sensitive, intelligent investigator.”—Kirkus Reviews
 
“An affable lead with a sympathetic backstory anchors Benison’s carefully crafted third Father Christmas mystery. . . . Readers will hope that Christmas will keeping detecting past the partridge-in-a-pear-tree volume.”—Publishers Weekly
 
“This leisurely paced, English-country-house mystery has multiple plotlines and plot twists as Tom finds a long-lost relative of a friend and solves several mysteries.”—Booklist 

Eleven Pipers Piping
 
“Benison uses the claustrophobia of village life to great effect, making the series a psychologically astute pleasure for fans of traditional cozies.”—The Washington Post
 
“Smashingly clever . . . Readers will be crazy about this vicar.”—Library Journal
 
“A great whodunit in the best British tradition.”—The Globe and Mail

Twelve Drummers Drumming
 
“A crime novel that Agatha Christie might have been justly proud to claim as her own.”—Margaret Maron
 
“Benison does an admirable job balancing humor with suspense. . . . Father Christmas’s first case leaves you eager for his next.”—The Wall Street Journal
 
“Splendid . . . an intelligent and empathic protagonist and skillful prose make this a winner.”—Publishers Weekly (starred review)


From the Hardcover edition.

  • Sales Rank: #497387 in eBooks
  • Published on: 2013-12-03
  • Released on: 2013-12-03
  • Format: Kindle eBook

From Booklist
The Reverend Tom Christmas, vicar of St. Nicholas Church, arranges a fund-raiser for his church starring the Leaping Lords, members of the aristocracy who skydive for charity. When Tom injures his ankle upon landing after his own jump, he, along with his young daughter, is invited to recuperate at Eggescombe, the estate of the Earl of Fairhaven, host of the event. Tom soon learns a past scandal has led to tensions among the half-siblings, cousins, and in-laws who are currently staying at Eggescombe. When Tom, on an early morning walk, finds the body of one of the relatives in a labyrinth on the estate, there are many suspects. With Tom also hiding a secret from the police, he decides not to tell them all he knows until he is able to talk to the parties involved. It becomes apparent that the murder may be rooted in the past actions of the victim. This leisurely paced, English-country-house mystery has multiple plotlines and plot twists as Tom finds a long-lost relative of a friend and solves several mysteries. --Sue OBrien

Review
Praise for C. C. Benison’s Father Christmas mysteries
 
Ten Lords A-Leaping
 
“A strong mystery reminiscent of P. D. James, with many well-developed characters, local color and a sensitive, intelligent investigator.”—Kirkus Reviews
 
“An affable lead with a sympathetic backstory anchors Benison’s carefully crafted third Father Christmas mystery. . . . Readers will hope that Christmas will keeping detecting past the partridge-in-a-pear-tree volume.”—Publishers Weekly
 
“This leisurely paced, English-country-house mystery has multiple plotlines and plot twists as Tom finds a long-lost relative of a friend and solves several mysteries.”—Booklist 
 
Eleven Pipers Piping
 
“Benison uses the claustrophobia of village life to great effect, making the series a psychologically astute pleasure for fans of traditional cozies.”—The Washington Post
 
“Smashingly clever . . . Readers will be crazy about this vicar.”—Library Journal
 
“A great whodunit in the best British tradition.”—The Globe and Mail
 
Twelve Drummers Drumming
 
“A crime novel that Agatha Christie might have been justly proud to claim as her own.”—Margaret Maron
 
“Benison does an admirable job balancing humor with suspense. . . . Father Christmas’s first case leaves you eager for his next.”—The Wall Street Journal
 
“Splendid . . . an intelligent and empathic protagonist and skillful prose make this a winner.”—Publishers Weekly (starred review)

About the Author
C. C. Benison has worked as a writer and editor for newspapers and magazines, as a book editor, and as a contributor to nonfiction books. A graduate of the University of Manitoba and Carleton University, he is the author of six previous novels, including Twelve Drummers Drumming and Eleven Pipers Piping. He lives in Winnipeg.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Too many characters, of whom it was difficult to ...
By Alice M.
Too many characters,of whom it was difficult to follow. Too much dialogue for my liking, and too slow-paced . The reveal did come as a surprise.

0 of 0 people found the following review helpful.
Another good effort in the series
By Feldmar Twomblebee
Another good effort in the series, I recommend you read them in order. The story flows and makes for a good recreational read.

13 of 15 people found the following review helpful.
Clever premise for the series, disappointing novel
By K. Sullivan
Tom Christmas is the (rather progressive) parish vicar of St. Nicholas Church in the English hamlet of Thornfield Regis. In an effort to raise funds for his church (and to quickly rid it of the eyesore that is the makeshift thermometer which tracks fundraising progress), Tom has organized an event featuring the Leaping Lords, a skydiving team of aristocrats, that will take him to Eggescombe Park. Unfortunately, the event leads to some unwelcome drama. First, during the jump, two of the lords scuffle in mid-air. Second, Tom's landing isn't as smooth as he might have hoped. His accident will leave him and his young daughter, Miranda, stranded in Eggescombe for a few days. While there, Tom witnesses first-hand the many dysfunctions of his reverend hosts. A myriad of secrets and suspicions are aired and argued. This discord culminates in the murder of one of the visiting lords. Tom, the police, and the remaining family members try to piece together the mystery and determine who among them may be a murderer.

"Ten Lords A-Leaping" is the third installment of the "Father Christmas" mystery series, naturally following "Twelve Drummers Drumming" and "Eleven Pipers Piping". It isn't necessary to have read the first two books in the series to appreciate the third, but it certainly wouldn't hurt. I have to admit that I think the premise of this series is ingenious. Borrowing lines from the traditional Christmas carol, "The Twelve Days of Christmas", for a series of British "cozy" mysteries to be released pre-Christmas (October and December publication dates thus far) just feels appropriate. Even the vicar's surname is Christmas without feeling too artificial. It just fits. But then, playing against expectations, the author doesn't choose the Christmas season for the setting of the books. It's been insinuated that doing so would be too gimmicky. But considering the titles and the protagonist's name (and the fact the books are regularly marketed as stocking-stuffers), aren't we already substantially committed to gimmick? Omitting the Christmas holiday certainly isn't a fatal flaw, but it's slightly disorienting given the context.

More troubling for the novel than its lack of yuletide cheer, however, is its rather artless execution. The characters are nearly impossible to differentiate despite the inclusion of both a cast list and a family tree. The titles and relations are so convoluted that it was difficult to maintain one's bearings. The characters existed merely to drive the plot (particularly with their boorish behavior), so characterization was generally weak. The narrative relied much too heavily on exposition. Several prior events are critical to the plot, but they never resonate with the reader due to their expository delivery. The family's reaction to the murder of one of its own was startlingly dispassionate. This seemed inauthentic even accounting for their problems with each other. The fact that a murderer may have been in their midst never much alarmed them. As a result, the reader never felt there was any real danger and there was no significant impetus to solve the case. Suspense was virtually nonexistent. The mystery's resolution was, in a word, bland.

The author's word choice was also a source of minor irritation. "Invidious" and "moue" appear more than a handful of times each and their use became distracting. While the narrative largely unfolded conventionally, the author also employed letters written by Christmas' housekeeper, Madrun Prowse, to her mother. She also happened to be at Eggescombe visiting an old schoolmate. In addition to filling out the narrative, it was an opportunity for comic relief as she would scratch out impulsive statements or misspelled words and the like. While occasionally cute, it wore thin largely because it was such an evident device of the author. It was too contrived to be thoroughly enjoyable. The inclusion of a "Dangerous Liaisons" style plot device also seemed inadequately established.

Despite very much hoping to enjoy the book, "Ten Lords A-Leaping" was mostly disappointing. The premise still intrigues me and I may yet try another of the "Father Christmas" mysteries. One can hope that this particular novel was just a poor outing for author C.C. Benison.

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Kamis, 22 Mei 2014

@ Get Free Ebook A Stranger in the Garden, by Tiffany Trent

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A Stranger in the Garden, by Tiffany Trent

Get an exclusive glimpse of Charles Waddingly’s fate after he’s sucked through a vortex in Old London, set between the time of The Unnaturalists and The Tinker King.

Charles Waddingly caused the desolation of New London and would have destroyed the world, had it not been for Vespa and her friends. He is utterly, thoroughly evil. Or is he?

Set between the time of The Unnaturalists and The Tinker King, this e-only novella tells the story of what happens when Charles turns up in Charles Darwin’s back garden—and the Grue returns to his native home.

  • Sales Rank: #1079902 in eBooks
  • Published on: 2014-01-07
  • Released on: 2014-01-07
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great transition.
By William D. Wallace
This book takes place between The Unnaturalists and its sequel, The Tinker King. It's as entertaining and well-written as the two novels of the series and does a great job at tying the stories together. I can only hope there's more stories to come in this fantasy world.

0 of 0 people found the following review helpful.
An Unnatural Extra
By Sparrow
A clear and compelling story that fills in what happened to one of the villains--and later a hero--of The Unnaturalists and The Tinker King. A rich picture of a little-known facet of life in England at the time, and a nice Darwin fantasy.

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Rabu, 21 Mei 2014

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Grandfather Gandhi, by Arun Gandhi, Bethany Hegedus

Mahatma Gandhi’s grandson tells the story of how his grandfather taught him to turn darkness into light in this uniquely personal and vibrantly illustrated tale that carries a message of peace.

How could he—a Gandhi—be so easy to anger?

One thick, hot day, Arun Gandhi travels with his family to Grandfather Gandhi’s village.

Silence fills the air—but peace feels far away for young Arun. When an older boy pushes him on the soccer field, his anger fills him in a way that surely a true Gandhi could never imagine. Can Arun ever live up to the Mahatma? Will he ever make his grandfather proud?

In this remarkable personal story, Arun Gandhi, with Bethany Hegedus, weaves a stunning portrait of the extraordinary man who taught him to live his life as light. Evan Turk brings the text to breathtaking life with his unique three-dimensional collage paintings.

  • Sales Rank: #551766 in eBooks
  • Published on: 2014-03-11
  • Released on: 2014-03-11
  • Format: Kindle eBook

From School Library Journal
Gr 1–3—Mahatma Gandhi, as seen through the eyes of one his grandsons, is depicted in this picture-book biography as a loving grandfather and a revered figure. Twelve-year-old Arun and his family have come to live in his bapu's "service village," which is a great honor, but is also hard for young Arun, who must share his grandfather with so many others demanding his time and attention. The boy frets over the difficulty of living up to the expectations that carrying the name Gandhi entails, and when a disagreement during a soccer game sparks his anger, Arun seeks out his wise and loving grandfather for comfort and advice. This is less a biography of a famous leader and more of an ode to a great man by an adoring grandson. While background details are left intentionally vague, i.e., the family's reasons for moving to India, memories of Gandhi himself are sharp and specific, lending an air of intimacy. The accompanying artwork is stunning, the use of mixed media collage is effective and beautiful, with varying perspectives and intriguing materials on display on every page. With so many biographies about Gandhi published recently, this one stands out for its unique point of view and gorgeous art, and makes a fine supplement to any collection.—Jody Kopple, Shady Hill School, Cambridge, MA

From Booklist
Twelve-year-old Arun Gandhi travels with his family from their home in South Africa to India to be with their grandfather, the Mahatma, in his service village of Sevagram, where they stay for two years. Arun loves his grandfather but resents all of the others who monopolize his time, and he worries about living up to his supreme example. He is a child, and like a child, he erupts in anger, seethes in frustration, and longs for connection. And his grandfather is there to tell him that anger is human and we must work to use it so it cannot use us. Collaborating with first-time picture-book author Hegedus, Arun Gandhi recalls his own childhood experiences, relating the stories in an immediate first-person voice. Working in mixed media, with pieces of fabric clothing and hand-cut, hand-painted figures, Turk mixes carefully detailed renderings with abstracted expressions of emotional struggle, achieving a powerful balance. A personal portrait of a legendary figure. Grades 1-4. --Thom Barthelmess

Review
Twelve-year-old Arun Gandhi travels with his family from their home in South Africa to India to be with their grandfather, the Mahatma, in his service village of Sevagram, where they stay for two years. Arun loves his grandfather but resents all of the others who monopolize his time, and he worries about living up to his supreme example. He is a child, and like a child, he erupts in anger, seethes in frustration, and longs for connection. And his grandfather is there to tell him that anger is human and we must work to use it so it cannot use us. Collaborating with first-time picture-book author Hegedus, Arun Gandhi recalls his own childhood experiences, relating the stories in an immediate first-person voice. Working in mixed media, with pieces of fabric clothing and hand-cut, hand-painted figures, Turk mixes carefully detailed renderings with abstracted expressions of emotional struggle, achieving a powerful balance. A personal portrait of a legendary figure.

— Thom Barthelmess
(Booklist)

"Collaborating with first-time picture-book author Hegedus, Arun Gandhi recalls his own childhood experiences, relating the stories in an immediate first-person voice. Working in mixed media, with pieces of fabric clothing and hand-cut, hand-painted figures, Turk mixes carefully detailed renderings with abstracted expressions of emotional struggle, achieving a powerful balance. A personal portrait of a legendary figure." (Booklist, December 2013)

More than 10 years in the writing, this true story by Gandhi’s grandson and Hegedus (Truth with a Capital T) gives a personal window inside the peacemaker’s teachings. As a 12-year-old, Arun and his family come to live at an ashram where Gandhi resides with followers. Vibrant, mixed-media collages from debut talent Turk depict the boy’s first frustrating weeks there. A tangle of black yarn swirls around Arun, the threads creating a proverbial black cloud, as he struggles to learn a new language, share his grandfather with others, and even feel like a Gandhi: “peace and stillness did not come easily to me.” When Arun’s temper flares, he runs tearfully to Gandhi, who compares anger to electricity: destructive as lightning or a force channeled to power lamps. “Then anger can illuminate. It can turn the darkness into light.” Turk’s illustrations are stylized, strikingly patterned, and rendered in contrasting purples and golds, blues and creams, blacks and whites, highlighting the tension between anger and peace. Dynamic visuals and storytelling create a rousing family story that speaks to a broad audience. Ages 4–8. Authors’ agent: Regina Brooks, Serendipity Literary Agency. (Mar.) (Publishers Weekly)

* "More than 10 years in the writing, this true story by Gandhi’s grandson and Hegedus (Truth with a Capital T) gives a personal window inside the peacemaker’s teachings…. Turk’s illustrations are stylized, strikingly patterned, and rendered in contrasting purples and golds, blues and creams, blacks and whites, highlighting the tension between anger and peace. Dynamic visuals and storytelling create a rousing family story that speaks to a broad audience.” (Publishers Weekly, December 2013, *STARRED REVIEW)

* "This first-person account presents Mohandas Gandhi through the eyes of his then–12-year-old grandson.... Turk’s complex collages, rich in symbolic meaning and bold, expressive imagery, contribute greatly to the emotional worldbuilding.... Never burdened by its message, this exceptional title works on multiple levels; it is both a striking introduction to a singular icon and a compelling story about the universal experience of a child seeking approval from a revered adult." (Kirkus Reviews, January 2014, *STARRED REVIEW)

Mahatma Gandhi, as seen through the eyes of one his grandsons, is depicted in this picture-book biography as a loving grandfather and a revered figure. Twelve-year-old Arun and his family have come to live in his bapu’s “service village,” which is a great honor, but is also hard for young Arun, who must share his grandfather with so many others demanding his time and attention. The boy frets over the difficulty of living up to the expectations that carrying the name Gandhi entails, and when a disagreement during a soccer game sparks his anger, Arun seeks out his wise and loving grandfather for comfort and advice. This is less a biography of a famous leader and more of an ode to a great man by an adoring grandson. While background details are left intentionally vague, i.e., the family’s reasons for moving to India, memories of Gandhi himself are sharp and specific, lending an air of intimacy. The accompanying artwork is stunning, the use of mixed media collage is effective and beautiful, with varying perspectives and intriguing materials on display on every page. With so many biographies about Gandhi published recently, this one stands out for its unique point of view and gorgeous art, and makes a fine supplement to any collection. (School Library Journal)

"Mahatma Gandhi, as seen through the eyes of one his grandsons, is depicted in this picture-book biography as a loving grandfather and a revered figure...an ode to a great man by an adoring grandson...memories of Gandhi himself are sharp and specific, lending an air of intimacy. The accompanying artwork is stunning, the use of mixed media collage is effective and beautiful, with varying perspectives and intriguing materials on display on every page. With so many biographies about Gandhi published recently, this one stands out for its unique point of view and gorgeous art, and makes a fine supplement to any collection." (School Library Journal, February 2014)

"Unusual for its child-centered and intimate portrait of Gandhi (we learn, for example, that he smelled like peanut oil), the graceful narrative is nearly outdone by the vivid mixed-media illustrations, rendered in watercolor, paper collage, cotton fabric, cotton, yarn, gouache, pencil, tea, and tinfoil. The cotton yarn, handspun on an Indian book charkha, gives the pictures such a three-dimensional look that one feels as though it could be plucked right off Gandhi’s spinning wheel. But it’s more than just an attractive effect—the yarn becomes a visual metaphor for anger channeled into light." (Horn Book Magazine, March/April 2014)

  Grandfather Gandhi

by Arun Gandhi and Bethany Hegedus; illus. by Evan Turk

Primary Atheneum 48 pp.

3/14 978-1-4424-2365-7 $17.99

e-book ed. 978-1-4424-5082-0 $10.99
A visit to a grandfather’s home in another country can have its ups and downs even in an ordinary family. But Arun faces some special challenges because his grandfather is Mahatma Gandhi. It’s hard enough to go from his comfortable home in 1945 South Africa, where he enjoys watching John Wayne movies and playing cops and robbers with his friends, to the quiet village of Sevagram, India, where his grandfather lives simply, surrounded by 350 followers who seek to follow the Mahatma’s example. Arun, who gets fidgety during prayers and who angers easily while playing soccer with village children, feels he will never live up to the Gandhi name. After he confides this to his grandfather, Gandhi tells Arun that he, too, often feels anger but that he has learned to channel it for good, just as electricity can destroy or give light. Unusual for its child-centered and intimate portrait of Gandhi (we learn, for example, that he smelled like peanut oil), the graceful narrative is nearly outdone by the vivid mixed-media illustrations, rendered in watercolor, paper collage, cotton fabric, cotton, yarn, gouache, pencil, tea, and tinfoil. The cotton yarn, handspun on an Indian book charkha, gives the pictures such a three-dimensional look that one feels as though it could be plucked right off Gandhi’s spinning wheel. But it’s more than just an attractive effect—the yarn becomes a visual metaphor for anger channeled into light. (The Horn Book)

Gandhi, Arun & Bethany Hegedus

Grandfather Gandhi

Illustrated by Evan Turk. 2014. 32pp. $17.99 hc. Atheneum (Simon & Schuster). 978-1-4424-2365-7. Grades PreK-5

The grandson of Mahatma Gandhi tells this true tale of how he learned to use his anger to work for him rather than letting it take control of him. Growing up in a small village in the shadow of his famous grandfather, Arun felt the pressure of his family’s name. When Arun became angry during a soccer match, he dashed over to his grandfather’s hut where he was taught how to choose a path of enlightenment rather than destruction. The spare text in this magical, transformative anecdote is paired with mixed media artwork. Using watercolor, paper collage, cotton fabric, cotton, yarn, gouache, pencil, tea, and tinfoil, Turk successfully tells the details of the story visually. Turk brilliantly uses broader, thicker strokes and darker colors to show anger. By telling the story of Gandhi’s approach to civil disobedience in this manner, it becomes a relevant, approachable concept for youngsters today. Stephanie Bange, Director, Educational Resource Center, Wright State University, Dayton, Ohio [Editor’s Note: Available in e-book format.]

Highly Recommended (Library Media Connection August/September 2014)

"The grandson of Mahatma Gandhi tells this true tale of how he learned to use his anger to work for him rather than letting it take control of him. . . . The spare text in this magical, transformative anecdote is paired with mixed media artwork. . . . Turk brilliantly uses broader, thicker strokes and darker colors to show anger. By telling the story of Gandhi’s approach to civil disobedience in this manner, it becomes a relevant, approachable concept for youngsters today." (Library Media Connection, August/September 2014, Highly Recommended)

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0 of 0 people found the following review helpful.
Good text and it gave me an opportunity to chat ...
By Shannon Ergun
Good text and it gave me an opportunity to chat with my children about Gandhi, his beliefs, and how other activists like MLK, Jr were influenced by him.

0 of 0 people found the following review helpful.
Thoughtful book for children and adults.
By Nancy A. Ferguson
Nice little book with good ideas and enchanting but rustic art work.

15 of 15 people found the following review helpful.
Lightning or lamp?
By E. R. Bird
Are you familiar with the concept of booktalking? It’s a technique librarians developed to get people interested in books they might otherwise not pick up. The whole concept is to develop a kind of movie trailer style talk that gives a sense of the book’s allure without giving up the plot. Typically booktalking is done for middle grade and young adult works of fiction, but enterprising souls have had a lot of luck with nonfiction as well. Now with an increased interest in nonfiction in our schools it’s more important than ever to make the books we hawk sound particularly good. It doesn’t hurt matters any when the books actually ARE good, though. Now let’s say I’m standing in front of a room of second and third graders with a copy of “Grandfather Gandhi” in my hands. How do I sell this book to them? Easy peasy. Some books practically booktalk themselves. Here’s how you sell it:

“Have any of you ever heard of Einstein? Yes? He’s the guy that was a total genius. Now imagine you’re his grandkid and you’re not that smart. Okay now, have any of you heard of the Beatles. Yes? Well imagine you’re one of THEIR grandkids . . . and you’re bad at music. Now here’s the big one. Has anyone heard of Gandhi? He was a great guy. He managed to free his country and stop a lot of oppression and he did it without any violence at all. Martin Luther King Jr. got some of his ideas from Gandhi about nonviolence. All right, well, now let’s image you are Gandhi, the most peaceful man IN THE WORLD’s grandson. What if you get mad? Can you imagine what it would be like to have everyone whispering every time you got a little steamed about something?”

So there you go. Quick. Simple. To the point. I’ve met a fair number of picture book memoirs in my day, but “Grandfather Gandhi” may well be my favorite. Smartly written with an unusual hook and art that will just knock your socks off, this is one title you are going to have to see firsthand for yourself.

When young Arun and his family first arrive in his grandfather Mahatma Gandhi’s village, he’s mighty shy around his incredibly famous relative. Yet right away Grandfather is warm and welcoming to them, and when he praises Arun for walking the distance from the train station the boy swells with pride. Unfortunately, having Gandhi as your grandpa means having to share him with the 350 followers who also live in the village. Arun struggles with his lessons in Gujarati and the fact that there are no movie theaters around, but there are upsides to village life too. He’s pretty good at soccer with the other kids, and occasionally Grandfather will take him for a walk just mano a mano. But then, one fateful day, Arun gets into a skirmish on the soccer field and his anger is overwhelming. Shamed that the grandson of Gandhi himself would react in anger he confesses to his Grandfather immediately, only to find the man isn’t angry or disappointed in him in the least. Anger, Gandhi explains, is like lightning. You can use it to destroy or you can use it to light the world, like a lamp. Which will you choose?

I think it’s fair to say that there have been a fair number of children’s picture books from family and relatives of famous peacemakers. Most notable would be Martin Luther King Jr.’s clan, where it sometimes seems like every son, daughter, niece, and nephew has his or her own spin on their infinitely famous relative. Gandhi’s a bit different. One wouldn’t expect his own descendants to have much in the way of access to the American publishing industry, so biographies of his life in picture book form have concentrated occasionally on his life and occasionally on The Great Salt March. When I saw that this book was co-authored by his fifth grandson I expected the same sort of story. A kind of mix of “this guy was fantastic” with “and I knew him!”. Instead, Hegedus and Gandhi have formulated a much more accessible narrative. Few children can relate to having a famous relative. But what about controlling their anger in the face of injustice? What’s fascinating about this book is that the authors have taken a seemingly complex historical issue and put it into terms so child-friendly that a five-year-old could get the gist of it. That Gandhi’s anger went on to become what spurned him to make lasting, important changes for his people is the key point of the book, but it takes a child’s p.o.v. to drill the issue home.

Above and beyond all that, this is a book that advocates quite strongly for peace in all its myriad forms. Hardly surprising when you consider the subject matter but just the same I sometimes feel like “peace” is one of those difficult concepts without a proper picture book advocate. I went to a Quaker college where PAGS (Peace and Global Studies) was a popular major, and it was in making Quaker friends that I learned about picture books dedicated to the concepts embraced by that particular religion. Books like “The Story of Ferdinand” by Munro Leaf, “The Table Where Rich People Sit” by Byrd Baylor, “Thy Friend, Obadiah” by Brinton Turkle, and more. I’m sure that many is the Quaker household, or really any household that believes that peace is a practical and attainable solution, that will embrace “Grandfather Gandhi” as one of their own.

It’s been a long time since I ran across a picture book with as long and lengthy a list of materials used in the illustrations as I have here. On the publication page it reads, “The illustrations for this book are rendered in watercolor, paper collage, cotton fabric, cotton, yarn, gouache, pencil, tea, and tin foil. Cotton hand spun on an Indian book charkha by Eileen Hallman.” Phew! You might think that all that “stuff” might yield something clogged up or messy, but that would be doing Mr. Turk a disservice. Observing how well he gives his pictures depth and texture, life and vitality, you might be shocked to learn that “Grandfather Gandhi” is his first picture book. From the spinning wheel endpapers to montages of sheer explosive anger, Turk makes a point of not only adhering to some of the more metaphorical aspects of the text, but finding new and creative ways to bring them to visual life. To my mind, the materials an artist uses in his or her art must, in the case of mixed media, have a reason for their existence. If you’re going to use “cotton fabric, cotton” and “yarn” then there should be a reason. But Turk clearly did his homework prior to doing the art on this book. He doesn’t just slap the images together. He incorporates the fibers Gandhi knew so well and turns them into an essential aspect of the book’s art. The art doesn’t just support the text here. It weaves itself into the story, becoming impossible to separate from the story.

It’s Arun’s anger that proved to be the most visually interesting aspect, to me, in the book. Turk deftly contrasts the calm white thread produced by Gandhi’s spinning with the tangled black ones that surround and engulf his grandson whenever his feelings threaten to break free. The scene where he’s tempted to throw a rock at the boy who shoved him down is filled with thread, Arun’s magnificently clenched teeth, and black shadow figures that reach out across the field to the soccer net, dwarfing the three other little figures below. Later you can see the negative space found in cut paper turning from a representation of lightning into a thread of cotton in the hands of Gandhi illuminating a passage about making your anger useful. Yet Turk doesn’t just rely on clever techniques. He’s remarkably skilled at faces too. Arun’s expressions when he gets to see his grandfather alone or makes him proud are just filled with wide-eyed eager hope. And his frustrations and anger pulse off the page from his features alone.

Picture books for kids about dealing with their anger tend towards the fictional. There’s Molly Bang’s “When Sophie Gets Angry . . . Really Really Angry” and Robie H. Harris’s “The Day Leo Said I Hate You.” These are two of the good ones. Others veer towards the preachy and paternalistic. Imagine if you started using something like “Grandfather Gandhi” instead. More than just a memoir, the book offers a broad look at the benefits of channeling your anger. Better still, it’s a true story. Kids respect the true. They’ll also respect young Arun and his uncomfortable position. Fair play to author Bethany Hegedus for hearing him speak more than 13 years ago about this moment in his life, knowing that not only was there a picture book story to be had here, but a lesson kids today can grasp. As she says in her “Note from the Authors” at the end, “We world we live in needs to heal – to heal from the wars that are fought, to the bullying epidemic, to mass killings by lone gunmen, to poverty, to hunger, and to issues that contribute to internal anger being outwardly expressed in violent actions.” Gandhi’s message never grows old. Now we’ve a book that helps to continue his work for the youngest of readers. A necessary purchase then.

For ages 4-8.

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Senin, 19 Mei 2014

!! Fee Download At Freddie's, by Penelope Fitzgerald

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At Freddie's, by Penelope Fitzgerald

"Freddie's" is the familiar name of the Temple Stage School, which supplies London's West End theaters with child actors for everything from Shakespeare to musicals to the Christmas pantomime. Its proprietress, Freddie Wentworth, is a formidable woman of unknown age and murky background who brings anyone she encounters under her spell -- so common an occurrence that it is known as "being Freddied." At her school, we meet dour Pierce, a teacher hopelessly smitten with enchanting Hannah; Jonathan, a child actor of great promise, and his slick rival Mattie; and Joey Blatt, who has wicked plans to rescue Freddie's from insolvency. Up to its surprising conclusion, At Freddie's is thoroughly beguiling.

  • Sales Rank: #434626 in eBooks
  • Published on: 2013-03-18
  • Released on: 2013-06-11
  • Format: Kindle eBook

Amazon.com Review
Age has indeed withered the proprietress of London's Temple School for child actors, but custom has yet to stale her infinite, cadging variety. Freddie--born Frieda Wentworth--is Penelope Fitzgerald's most marvelous sacred monster, a woman insanely devoted to her art. Over several decades she has foiled debt collectors, creditors, and bailiffs at every turn. What matter if Freddie's Covent Garden redoubt is freezing and falling apart, her own office-cum-bedroom a haven for must and dust, mold and mothballs? When one would-be financier has the temerity to display a balance sheet, she orders him to put it away, "in the tone she used to the local flasher." After all, this force of theatrical nature can always rely on actors and theaters for desperate, last-minute donations. On the other hand, it is 1963, and the school is threatened by others specializing in film and TV training, but so far Freddie is sticking to her Shakespearean guns.

The Temple's permanent staff consists of an unskilled handyman and Freddie's assistant and dresser, the possibly malevolent Miss Blewett. Its acting coaches include a man who's made his career out of understudying Nana, the dog-nurse in Peter Pan. Needless to say, the students are not impressed. To further trim expenses, Freddie has hired two new teachers from Northern Ireland. One, Hannah Graves, is qualified; the other, Pierce Carroll, decidedly not--but Freddie hires him for other reasons: "She had heard in his remarks the weak, but pure, voice of complete honesty. She was not sure that she had ever heard it before, and thought it would be worth studying as a curiosity." These two innocents are in academic charge of the young thespians, an egomaniacal, mostly mendacious lot. (In a stage school, after all, insincerity is a good thing.) But Freddie's does house one genius: 9-year-old, unknowable Jonathan Kemp. Even his guinea pig inherits his bad luck, and is soon devoured by one of the theater district's roving felines. Jonathan seems destined to be overshadowed by Mattie Stewart (later Stewart Matthews), a showoff who at least has the grace--even if it is manifested in spurts of violence--to know himself inferior. Meanwhile, we watch Pierce fall in love, hopelessly, with his colleague. Alas, he hasn't a chance against the dissipated actor Boney Lewis, though Hannah tries not to destroy him: "At the corner, she gave him a hug and a kiss, as one does to a cousin, or to the inconsolable."

At Freddie's, Penelope Fitzgerald's 1982 parable of the talents, constantly shifts between such despair and high comedy. Many Fitzgerald-philes feel that she reached her apex in her three European novels--Innocence, The Beginning of Spring, and The Blue Flower. In fact, she had already arrived there with this perfect novel of ideas, ideals, and oddities. --Kerry Fried

Review
'Reading a Penelope Fitzgerald novel is like being taken for a ride in a peculiar kind of car. Everything is of top quality - the engine, the coachwork and the interior all fill you with confidence. Then, after a mile or so, someone throws the steering-wheel out of the window.' Sebastian Faulks 'Wise and ironic, funny and humane, Fitzgerald is a wonderful, wonderful writer.' David Nicholls 'A jewel of a book.' Daily Mail 'The wit is crisp and dry, scenes and characters are deftly skewered. Whether you view the theatre as a noble passion or a wasting disease, you are equally certain to be regaled.' Guardian 'Enjoy the knowingness of the awful children, the weary fumblings of the professional actors, the constant witticisms at the expense of pretentious directors. An enjoyable, sharp novel...a delicious refreshment.' Margaret Forster

From the Back Cover
“A jewel of a book.” —Daily Mail

It is the 1960s, in London’s West End, and Freddie is the formidable proprietress of the Temple Stage School, which supplies child actors for everything from Shakespeare to musicals to the Christmas pantomime. Of unknown age and provenance, Freddie is a skirt-swathed enigma—a woman who by sheer force of character and single-minded thrust has turned herself and her school into a national institution. Anyone who is anyone must know Freddie.

Filled with unique and hilarious insights into the theatrical world, At Freddie’s is a beguiling story for those of us who sometimes pretend to be something we are not.

“Love, fear, class, ambition, even death—it's all in here, but so elegantly presented that you've finished your plate before you even think to ask about the ingredients.” —National Public Radio

PENELOPE FITZGERALD (1916–2000) was one of the most elegant and distinctive voices in British fiction. She won the National Book Critics Circle Award in fiction for The Blue Flower, the Booker Prize for Offshore, and three of her novels—The Bookshop, The Gate of Angels, and The Beginning of Spring—were short-listed for the Booker Prize.

Most helpful customer reviews

9 of 9 people found the following review helpful.
The strange world of theatre - children's theatre
By A. Woodley
What a surprising book and what a funny one. The first Penelope Fitzgerald I read and a lovely introduction to her wonderfully witty work. "At Freddie's" is life in a slowly fading London Theatre school for children. It is the 1960's and Freddie, who is the mysterious woman who runs the school, believes that children should be trained for Shakespeare and for the stage - not for the fleeting career of television and advertisements which are starting to pull children from other schools.
Into this world drop Carroll, an unsuprisable Irishman, who doesn't seem to be able to do anything. He applies to Freddie for a job as a teacher but admits he can't really teach, or in fact do anything. Freddie hires him because he is cheap and honest, and he procedes to do just what his interview shows he could do so promisingly - nothing. But he has fallen in love with the other teacher who applied the same day, Hannah. Hannah is more ambitious and wants to 'chose, not be chosen'. A dictate which runs her life. Their relationship is played out against the lives of school's precocious children, mostly the strange friendship of Mattie - a 13 year old child over-actor and the quiet, self-contained 9 year-old, Jonathon.
It was a wonderful, fun read.

10 of 11 people found the following review helpful.
A totally original character
By A Customer
At Freddie's may not be the absolute best of all Fitzgerald's novels (the competence is so stiff), but Freddie may very well be her most original and likeable character. If you love theater, Shakespeare, London, have a sense of humor and some respect for children's creativity for mischief, in all probability you will be as defenseless against her as all the other characters seem to be in this very compact, very enjoyable and unexpectedly moving novel . All Fitzgerald books can take us to other worlds, the world of Freddie truly deserves to be visited.

5 of 5 people found the following review helpful.
Theatrical Skullduggery
By J. McFarland
Penelope Fitzgerald is at her most devilishly entrancing in this tale revolving around the London acting school run (and I mean RUN!) by Freddie, a larger-than-life Gorgon whose will cannot be resisted. Fitzgerald has fun skewering the backstage pretentions, intrigue and petty jealousies of the London theater world of the early 1960s, but, clearly loving every seedy corner of it, she celebrates it with such gusto that you want to sign up on the spot for a season or two. That combination of wryness and fondness makes this short novel among Fitzgerald's most satisfying. And when Freddie goes out looking for a pound or two, hang on to your wallets!

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Sabtu, 17 Mei 2014

~~ Download PDF The Raid on Harpers Ferry: John Brown's Rebellion (Milestones in American History), by Samuel Willard Crompton

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The Raid on Harpers Ferry: John Brown's Rebellion (Milestones in American History), by Samuel Willard Crompton

n October 1859, a group of 22 men led by abolitionist John Brown sought to ignite a slave revolt. They believed that a violent rebellion was the only way to change the system and bring down slavery's hold on the South. They came at harvest time, believing that this was when the overworked slaves would be most eager to revolt. Brown's men took and briefly held the foremost arsenal south of the Mason-Dixon Line, but when a massive uprising didn't occur, they were soon captured and eventually found guilty of treason. Their audacity made them heroes to some, even as they were reviled by many for their use of deadly force. This event was one of the many catalysts leading up to the Civil War. In The Raid on Harpers Ferry: John Brown's Rebellion, learn how this action to incite a slave rebellion was viewed 150 years ago and the repercussions it has had on the United States.

  • Sales Rank: #3310875 in eBooks
  • Published on: 2010-01-31
  • Released on: 2010-01-31
  • Format: Kindle eBook

From School Library Journal
Gr 5-8–This volume offers a survey of John Brown's life and views. Ten chapters are illustrated with photographs or drawings and contain sidebars that offer explanatory information or quotes from pertinent documents. Brown corresponded with abolitionists including Frederick Douglass; played a major role in the slavery controversy in "Bleeding Kansas"; and plotted to capture the federal arsenal at Harpers Ferry, an action he believed would set off a slave rebellion that would end slavery in America. His plan failed, and he was tried in a Virginia court and hanged. Brown's legacy was debated by politicians in the late 1850s and as the Civil War approached, and continues to be debated by historians today. This title serves as an adequate introduction to the man and his times.Patricia Ann Owens, Illinois Eastern Community Colleges
© Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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