Ebook The Good Boy, by Theresa Schwegel
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The Good Boy, by Theresa Schwegel
Ebook The Good Boy, by Theresa Schwegel
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Edgar award winner Theresa Schwegel returns with The Good Boy, her most dramatic and emotional novel to date, a family epic that combines the hard-boiled grit of her acclaimed police thrillers with an intimate portrait of a young boy trying to follow his heart in an often heartless city.
For Officer Pete Murphy, K9 duty is as much a punishment as a promotion. When a shaky arrest reignites a recent scandal and triggers a multimillion-dollar lawsuit, all eyes are on Pete as the department braces for another media firestorm.
Meanwhile, Pete's eleven-year-old son Joel feels invisible. His parents hardly notice him—unless they're arguing about his "behavioral problems"—and his older sister, McKenna, has lately disappeared into the strange and frightening world of teenagerdom. About the only friend Joel has left is Butchie, his father's furry "partner."
When Joel and Butchie follow McKenna to a neighborhood bully's party, illegal activity kicks the dog's police training into overdrive, and soon the duo are on the run, navigating the streets of Chicago as they try to stay one step ahead of the bad guys—bad guys who may have a very personal interest in getting some payback on Officer Pete Murphy.
- Sales Rank: #698499 in eBooks
- Published on: 2013-11-05
- Released on: 2013-11-05
- Format: Kindle eBook
Review
“A terrific piece of crime writing--propulsive action paired with the authentic sounds of a city on the make. Theresa Schwegel's ear for dialogue is pitch-perfect--from the station house to the streets, from cops to robbers to teens, Schwegel serves up fully-realized characters who pop off the page. An essential read.” ―GILLIAN FLYNN
“A vivid, nuanced, and emotional tale told in prose that crackles with electricity. The characters are real, their world is our own, and their stories the kind that linger long after the last page is turned. At once a thriller and a beautifully rendered family story, it simply won't disappoint.” ―MICHAEL KORYTA
“A brooding, world-wise, humane piece of crime fiction…Readers who respond to it will find the book lingering in their minds longer than most.” ―USA Today
“Theresa Schwegel is an Edgar-winning crime writer whose Chicago police stories are more nuanced and impassioned than most books of their genre….For all the dog books currently in vogue, it's hard to beat this one for canine verisimilitude or talent….The dog elevates a fairly conventional detective story into something much more lovable.” ―The New York Times
“[A] nail-biter…The reader will empathize with everyone from Pete, who has his heart in the right place but makes several wrong turns, to Butch, who never speaks yet says volumes.” ―Publisher's Weekly
About the Author
THERESA SCHWEGEL was born and raised in Chicago, Illinois. A Loyola University graduate, she received an MFA in screenwriting at Chapman University. The author of four novels, her debut, Officer Down, won the Edgar Award for Best First Novel and was shortlisted for the Anthony Award.
Most helpful customer reviews
12 of 12 people found the following review helpful.
Well worth your time and attention
By Bookreporter
THE GOOD BOY makes demands of its readers. Author Theresa Schwegel drops you in the middle of a quietly simmering pot of domestic disaster straight from the jump. Then she works her way backwards in fits and starts and drops as the back story moves, somewhat at a snail’s pace, to catch up with the very immediate, suspenseful present.
Pete Murphy is a Chicago police officer who is assigned to the K9 unit, a position that he considers to be a punishment as opposed to a promotion. There is a reason for this: Murphy was part of a street hassle that also involved a bit of scandal that in turn led to a somewhat public embarrassment. The resulting fallout led to Murphy and his family having to give up their mortgaged home and “downsizing” to a well-used rental in a less desirable neighborhood. His family is less than able to stand the strain. Wife Sarah has some definite issues of her own --- some understandable, others not so much --- and spends a good deal of the book standing on Murphy’s last nerve. Teenage daughter McKenna is teetering into the world of full-blown adolescence, a difficult enough transformation without the additional uprooting and incidental publicity that arose from her father’s situation.
However, it is 11-year-old Joel who feels the brunt of the family’s emotional trauma. Joel is brilliant, possessed of a remarkable memory while exhibiting some signs that he might be on the autism spectrum, though this is never specifically addressed. Then there is Butch, Murphy’s canine partner, who is undoubtedly the most emotionally stable of the ensemble. Murphy and Butch surely have an emotional bond, but it is Joel who is truly attached to the dog.
So it is that two things occur in rapid order in THE GOOD BOY. The first is that Murphy’s participation in a routine traffic stop puts him back into the very unfavorable spotlight of publicity while reopening public memory of his involvement in the prior incident that resulted in his fall from grace. The other is that McKenna’s association with bad companions --- you can see it coming for several chapters --- culminates in her sneaking out of the house to go to what used to be called a “wild party.” Joel, who is concerned for his older sister, takes Butch and follows her. When several trouble points converge and things go badly wrong, Joel and Butch find themselves on the run through the mean streets of Chicago, as Joel attempts to reach the one adult in a position of power who will listen to him. It is this sojourn across several miles of the city that forms the meat and heart of THE GOOD BOY.
Joel is not what one would call street-smart in the classic sense, but he knows enough to get by. His greatest strength, however, is that he looks after Butch at his own expense; Butch, of course, returns the favor, thus the two of them are able to traverse the city by hook and crook as Joel attempts to reach his unlikely destination. Meanwhile, Joel’s parents are understandably frantic, even as the family threatens to capsize under the pressure of their other problems. Murphy begins a desperate search through the darkest and seediest recesses of the city, pursuing a slim trail that he hopes will lead to his son, little knowing that he actually may be putting himself and his loved ones into even greater jeopardy.
THE GOOD BOY is reminiscent of a number of tales --- THE INCREDIBLE JOURNEY (the book, not the Disney movies) and The Warriors (the movie, not the book) --- but is very much its own story. While uneven in spots, those portions of the narration dealing with Joel and Butch as they sleep rough and live dangerously on the streets of modern-day Chicago make the novel well worth your time and attention.
- Joe Hartlaub
4 of 4 people found the following review helpful.
Boy, dog, amazing journey
By Kindle Customer
Take your pick, the good boy of the book’s title is 11 year-old Joel Murphy or his K9 companion Butchie, a 100-pound German shepherd-Belgian Malinois mix. Both are fully realized creations that grab your affection as much as your attention.
Strong characters portrayed with all the complexity of real people make “The Good Boy” your good read.
This is the story of Joel and his Chicago family, his police officer father Pete, who racks up a dubious history of bending the law as much as enforcing it. (Butch is Pete’s canine partner.) There is Joel’s mother Sarah, who is burdened by a too-heavy weight of grief, mistrust and self-doubt. Joel’s sister is McKenna. It’s her teenage rebelliousness that ignites the story. Joel is at the center of the story. He’s an observant kid who inhabits a world beyond his years, someone who inhales (and catalogues) information as if it were the breath of life. And Butchie, a furry fury when need be.
But of all the characters, the most sharply etched is an overripe pole dancer who has trouble keeping her balance named Elexus who dances, yaks and clamors her way right into your heart with her resolute individuality. None of what she says is quotable here but the oaths and expletives that fly out of her mouth ring true with logic and astonishing equanimity.
A story as gritty as Chicago’s underbelly gives the book its traction, its power to take hold and not let go. Joel with Butchie in tow follows McKenna to a teen bash where illegal substances and intruding gang members stir up a confrontation that explodes into violence. Butch, trained to be a canine enforcer lunges in with sudden, disastrous results. Boy and dog flee. They take to the streets of Chicago. It’s an act of courage, an odyssey that Joel understands will lead him and Butchie away from home and safety. Stuffed in Joel’s backpack is a dog-eared (Joel wonders about the term) copy of “White Fang.” The book becomes the boy’s touchstone.
A story about a boy and his dog, this is a thriller for adults only, intense and ultimately hugely satisfying in its narrative force. Joel and Butchie take a number of wrong turns in their journey through a Chicago wasteland. Schwegel never falters as she drives straight and true to the novel’s powerful conclusion.
In a word: Wow-wee
5 of 6 people found the following review helpful.
Runaways
By Larry McKinney
Hard to improve on the New York Times review of this book. Ms. Schwegel can put her characters into stress early in her books, keep them there by their own machinations, and make them rescue themselves in as realistic a fashion as can any mystery or crime writer currently on the shelf at the airport. She has more patience with her characters than they have with themselves. Normally I don't like animal stories, and I don't like stories about run away kids. Even so, I liked this book a great deal. Go figure. O.W. Holmes
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