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The Bookshop, by Penelope Fitzgerald
Ebook The Bookshop, by Penelope Fitzgerald
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Short-listed for the Booker Prize
“A beautiful book, a perfect little gem.” — BBC Kaleidoscope
“A marvelously piercing fiction.” — Times Literary Supplement
In 1959 Florence Green, a kindhearted widow with a small inheritance, risks everything to open a bookshop — the only bookshop — in the seaside town of Hardborough. By making a success of a business so impractical, she invites the hostility of the town's less prosperous shopkeepers. By daring to enlarge her neighbors’ lives, she crosses Mrs. Gamart, the local arts doyenne. Florence’s warehouse leaks, her cellar seeps, and the shop is apparently haunted. Only too late does she begin to suspect the truth: a town that lacks a bookshop isn’t always a town that wants one.
This new edition features an introduction by David Nicholls, author of One Day, along with new cover art.
- Sales Rank: #132076 in eBooks
- Published on: 1997-09-15
- Released on: 2013-06-11
- Format: Kindle eBook
Amazon.com Review
Since 1977, Penelope Fitzgerald has been quietly coming out with small, perfect devastations of human hope and inhuman (i.e., all-too-human) behavior. And now we have the opportunity to read "The Bookshop," her tragicomedy of provincial manners first published in 1978 in the U.K., but never available in the U.S. The Bookshop unfolds in a tiny Sussex seaside town, which by 1959 is virtually cut off from the outside English world. Postwar peace and plenty having passed it by, Hardborough is defined chiefly by what it doesn't have. It does have, however, plenty of observant inhabitants, most of whom are keen to see Florence Green's new bookshop fail. But rising damp will not stop Florence, nor will the resident, malevolent poltergeist (or "rapper," in the local patois). Nor will she be thwarted by Violet Gamart, who has designs on Florence's building for her own arts series and will go to any lengths to get it. One of Florence's few allies (who is, unfortunately, a hermit) warns her: "She wants an Arts Centre. How can the arts have a centre? But she thinks they have, and she wishes to dislodge you."
Once the Old House Bookshop is up and running, Florence is subjected to the hilarious perils of running a subscription library, training a 10-year-old assistant, and obtaining the right merchandise for her customers. Men favor works "by former SAS men, who had been parachuted into Europe and greatly influenced the course of the war; they also placed orders for books by Allied commanders who poured scorn on the SAS men, and questioned their credentials." Women fight over a biography of Queen Mary. "This was in spite of the fact that most of them seemed to possess inner knowledge of the court--more, indeed, than the biographer." But it is only when the slippery Milo North suggests Florence sell the Olympia Press edition of "Lolita" that Florence comes under legal and political fire.
Fitzgerald's heroine divides people into "exterminators and exterminatees," a vision she clearly shares with her creator--but the author balances disillusion with grace, wit, and weirdness, favoring the open ending over the moral absolute. Penelope Fitzgerald's internecine if gentle world view even extends to literature--books are living, jostling things. Florence finds that paperbacks, crowding "the shelves in well-disciplined ranks," vie with Everyman editions, which "in their shabby dignity, seemed to confront them with a look of reproach." One senses that classic hardcovers would welcome The Bookshop, despite its status as a paperback original. --Kerry Fried
From Library Journal
Florence Green, a widow, has lived for ten years in a small village in Suffolk, England. With a modest inheritance, she plans to open the first and only bookstore in the area. Florence purchases a damp, haunted property that has stood vacant for many years but encounters unexpected resistance from one of the local gentry, Mrs. Gamart, who has a sudden yen to establish an arts center in the same building. Florence goes ahead with her plan in spite of Mrs. Gamart and meets with some small success. However, Mrs. Gamart surreptitiously places obstacles in Florence's way, going so far as to have a nephew in Parliament write and pass legislation that eventually evicts Florence from her shop and her home. This work by veteran writer Fitzgerald (The Blue Flower, LJ 3/1/97), originally published in Great Britain, was shortlisted for the Booker Prize in 1978. Both witty and sad, it boasts whimsical characters who are masterfully portrayed. Highly recommended.
-?Joanna M. Burkhardt, Univ. of Rhode Island Coll. of Continuing Education, Providence
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
On the heels of The Blue Flower (1997), here's a slighter, equally charming, half as deep little novel--about snobbery and meanness in the provinces--that the immensely gifted Fitzgerald published in England in 1978. It's 1959, and the ``small, wispy and wiry'' Florence Green, a widow and middle-aged, wants to open a bookshop in the little, bleak, remote, sea-swept East Anglian town of Hardborough. And so she borrows money to buy her stock and, as a place to house both it and herself, the High Street building known as Old House, over half a millennium old and faultless except for being damp and haunted. But as Mr. Raven, the marshman, says, Florence ``don't frighten,'' which is why he has her hold onto a horse's tongue while he files its teeth. What Florence hasn't counted on, though, is the studied malevolence of Hardborough's social illuminary and civic leader, Mrs. Gamart, who now says she wanted Old House for an ``arts centre.'' And things, indeed, start going wrong for Florence--not from the real ghost, who seems frightening but harmless, but from inexplicable changes in statute, policy, and law. When Florence is tipped off by a slippery ex-BBC employee that she ought to stock Lolita, she questions only whether it's a ``good book''--and so she asks the town's one true aristocrat, the dour Edmund Brundish, veteran of WW I. He says it's good (though he dies soon after), but Florence's troubles still grow only worse, both before and after Nabokov sells out. Readers will learn the sorry end, while enjoying on the way a wondrous cast of townsfolk, including Florence's assistant, the sweetly tough Christine Gipping, who, at 11, as Florence says, ``has the ability to classify, and that can't be taught,'' though she does make an error (true human style) that costs dear. Pitch-perfect in every tone, note, and detail: unflinching, humane, and wonderful. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
45 of 46 people found the following review helpful.
A good read
By Claude Rawlings
I noticed that several readers objected to the bleak ending of this book. Fortunately or unfortunately, I already knew the ending because it was given away in one of the New York Times reviews (don't they tell them not to do that?), and so I was prepared for it. Ms. Fitzgerald seems to me to be a genius: She is almost uncannily observant in terms of both landscape and character (including animals in the latter), and she provides a smooth and pleasant read in the tradition of Anita Brookner, Elizabeth Bowen, and Elizabeth Taylor -- a perfect book for a rainy Sunday and, for me, as satisfying as a pot of good English tea. A bit too much cuteness creeps in at times ("a bit twee," as the English would say), and I found the poltergeist not convincing. (However, I was interested to read in Amazon.con's interview with the author that the poltergeist was based on an actual experience of the author's in a real-life small-town bookstore.) All in all, I belive Ms. Fitzgerald will be a wonderful discovery for almost anyone who loves English literature.
42 of 46 people found the following review helpful.
Small-minded pettiness
By fbm@northnet.com
I had previously read, and been most disappointed by, Penelope Fitzgerald's novel The Gate of Angels. Thus, it is only because of its strong recommendations and very short length (if it's too bad, at least I won't waste a lot of time reading it) that I took up her novel The Bookshop. Dickensian in the naming of places (the book is set in Hardborough, which it certainly is) and some characters, but not in length (only 123 pgs), Lively tells the story of a middle-aged widow who invests her small inheritence in a bookstore, the only such enterprise in her new hometown. In so doing, she makes a few enemies, and is at last forced to succumb to the small-minded pettiness that rural communities can foster. This is a sad book, and it makes one grieve for how mean people can be when they wish. That said, it is an excellent novel, and ample food for thought
26 of 27 people found the following review helpful.
What good writing should be
By Sam Shoemaker
This is a perfect novel. Fitzgerald, whom I was only recently introduced to, writes with precision and grace. In The Bookshop she exposes the small-mindedness of people in provincial places. In Hardborough the townsfolk are cruelly reminded of their relative irrelevance and, rather than stretch toward loftier horizons, they take aim at the book's protagonist and quash her dreams. A piercing stab at all that is colloquial, this book is also a funny satire of small-minded people. I'm surprised Fitzgerald is not more widely read on these shores (U.S.). What a talent.
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