Jumat, 09 Oktober 2015

>> Download Ebook The Rocket and the Reich: Peenemunde and the Coming of the Ballistic Missile Era, by Michael J. Neufeld

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The Rocket and the Reich: Peenemunde and the Coming of the Ballistic Missile Era, by Michael J. Neufeld

WINNER OF THE DEXTER PRIZE OF THE SOCIETY FOR THE HISTORY OF TECHNOLOGY

Launched by the Third Reich in late 1944, the first ballistic missile, the V-2, fell on London, Paris, and Antwerp after covering nearly two hundred miles in five minutes. It was a stunning achievement, one that heralded a new age of ballistic missiles and space launch vehicles. Michael J. Neufeld gives the first comprehensive and accurate account of the story behind one of the greatest engineering feats of World War II. At a time when rockets were minor battlefield weapons, Germany ushered in a new form of warfare that would bequeath a long legacy of terror to the Cold War, as well as the means to go into space. Both the US and USSR's rocket programs had their origins in the Nazi state.

  • Sales Rank: #1287946 in eBooks
  • Published on: 2013-09-10
  • Released on: 2013-09-10
  • Format: Kindle eBook

Review
Publishers Weekly
Based on previously untapped sources, Neufeld's comprehensive history of German rocket research and development during WWII includes an analysis of Hitler's indirect involvement with the Peenemunde-based project and SS chief Heinrich Himmler's ultimate domination of it. The study reveals how the decision came about to use slave labor from the concentration camps to manufacture the terrifying "buzz bombs" that, according to Neufeld, had minimal effect on the course of the war. He presents solid evidence that the project's technical director-Wernher von Braun, who later headed NASA's rock booster program-was an SS officer, and describes his 1944 arrest accused of sabotaging the A-4 project by concentrating more on space flight than on his duties. Von Braun was freed after several days. The author discusses the postwar rebirth of the rocket program at the Redstone Arsenal in Huntsville, Ala., where von Braun and several of his Peenemunde colleagues played a historic role in the development of the intercontinental ballistic missile and the space-launch vehicle. Neufeld, curator of WWII history at the National Air and Space Museum, has written a major study of the Nazi rocket program. Illustrations.

Library Journal
Neufeld, the curator of World War II history at the National Air and Space Museum in Washington, D.C., provides a well-written, comprehensively researched analysis of Nazi Germany's missile program and its antecedents. The German army became interested in rocket technology during the 1930s at the urging of Karl Becker, an engineer who believed a radical new weapon could deliver a psychological blow to an enemy. The construction of Peenemunde in 1936-37 provided a focal point for research and development that made guided missiles a reality despite Germany's limited material and scientific resources. Neufeld shows that while the rocket program was not Nazi in origin, its leaders readily compromised themselves by accepting National Socialism, especially in agreeing to the widespread use of slave labor. A more ambiguous legacy of Peenemunde is its rocket technology, which decisively shaped the second half of the 20th century. For academic collections. -- D.E. Showalter, Colorado Coll., Colorado Springs

Booklist
As befits the work of a National Air and Space Museum curator, this book is literate, thorough, and balanced. The last quality is particularly important given the topic, which is the relationship of German rocket scientists to the government of the Third Reich. That relationship was a good deal more complex than both their enemies and their apologists have claimed. Many of the scientists were at the very least obtuse about the military aspects of the program and turned a blind eye to the extensive use of slave labor in the V-2 factories. Neufeld avoids either scapegoating or excusing and has amassed his research--much of it from primary sources now disappearing from the ranks of the living--into what promises to be a classic account of the devil's bargain that coincidentally accelerated the possibility of manned space flight by a full generation. -- Roland Green

Kirkus Reviews
A dry history of the Nazi rocket program, concentrating on the development of liquid fuels for missiles. Neufeld, curator of WW II history at the Smithsonian's National Air and Space Museum, traces the history of the V-2 ballistic missiles catapulted by the Nazis on London and Paris. He discusses the various men who participated in the secret research at the rocket center Peenemnde, most notably wunderkind German aristocrat Wernher von Braun. Of more modest social status, but equally important, was Walter Dornberger, who administered the program. Neufeld's revisionist thesis is that the scientists were not all fanatics devoted to Hitler's cause. Yet the fact is, though Peenemnde was originally supported by industrialists, it eventually became one of Hitler's favored projects, and its scientists stood tall for the Third Reich. Many of them worked surreptitiously for German rearmament even before the war. Neufeld often verges on being an apologist for these men who used their genius for the Nazi cause while slave labor put the finishing touches on the instruments of war. He drones on in the manner of an official military historian, also dealing with the rivalries of bureaucratic ``empires'' within the Reich--intelligence, propaganda, etc.--as they jockeyed for Hitler's favor. In a book about rocketry one naturally expects some scientific discussion, but Neufeld's text is far too technical for nonspecialists. He is quite right in pointing out the irony of the Nazi rocket program's contributions to the Cold War: Victorious Americans and Soviets took German scientists as war booty to feed their own military machines, and Von Braun became a major force in NASA. Neufeld deserves his due for thorough research of both German and American archives, but his analysis is questionable and the writing is not up to the potential of the narrative.

One cannot study science and technology in the Third Reich without raising dangerous, difficult and important general questions about the relationship between knowledge and power, the moral responsibility of scientists and engineers, and the relationship between modernity and brutality...[Neufeld] has written the first complete history in English of the story of the German liquid-fuelled rocket programme...and does not shy away from these issues. --David Edgerton, Nature

Absorbing...This is a hard-hitting book, but is also a fair and scholarly one that does equal justice to all aspects of the German rocket program--technical, political, moral, and human. It bids fair to become the standard work on this subject for many years to come. --Richard J. Evans, New York Times Book Review
 
The German V-2 rockets that hit London in 1944 arrived silently, having covered 200 miles in five minutes. The Rocket and the Reich...is the astonishing story of their development and how the Allies tried to kill the development teams and destroy the factories. It is a dispassionate account, but one that builds excitement and tension in the reader. --New Scientist

A truly remarkable, wonderful book. This history of German missile technology is a must...The author...has developed in a magnificent way the origins, motivations, technical development and advent of the German rockets...In a word, a very well written book. --The Space Book Board website

The definitive history of German efforts to research, develop, and build rockets during the Third Reich and World War II. Neufeld's account is both thorough and subtle, critical and fair, and avoids the twin pitfall of demonization and hagiography, which plague most other accounts of Wernher von Braun and the German rocket program. This book makes an important contribution to the history of technology, of World War II, and of National Socialism. --Mark Walker, Union College

About the Author
Michael J. Neufeld is a space history curator at the National Air and Space Museum, Smithsonian Institution, and the author of Von Braun: Dreamer of Space, Engineer of War.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Good reporting
By Thomas J. Hickey
The Rocket and the Reich by Michael J. Neufeld

Neufeld is curator of World War II history at the National Air and Space Museum, Smithsonian Institution, Washing DC. This book relates the interesting history of the German rockets before and during the war including the V-1 and V-2 rockets used against England in the war's latter years. Altogether 6000 V-2 rockets were manufactured and over 3200 were fired as weapons.

He describes the principals in the development of the rockets including Wernher Von Braun, a Nazi party member and officer in the SS. He also reports that the SS arrested Von Braun, because he advocated using the rocket program for space travel. Von Braun was soon released because his was indispensable to the program and because he had connections. Also described is German General Walter Dornberger, who became the chief of booster development at NASA, and his superior Carl Becker.

One of the ironies noted by Neufeld is that however important missile technology had become to both the US and the USSR during the Cold War, the V-2 rocket was of little military value to the Germans, because they did not have the electronics technology for competent guidance systems and had no atomic bomb. The author describes the appalling conditions of the concentration-camp slave laborers used to manufacture the production version of the V-2. Neufeld reports that many more of these slaves died producing the V-2 than were killed by its use as a weapon.

Rockets were a popular topic in the 1950's and 1960's, when I was young. I have observed the captured V-2 rocket on display at the Smithsonian, and was quite impressed by its futuristic science-fiction appearance. Persons interested in missile technology would likely find this book well researched and interesting.

Thomas J. Hickey

2 of 2 people found the following review helpful.
not one of the better books
By Col William Russell (ret)
not recommendable. I have read many books on Dr. von Braun as wll as the V-2 and this book pales by getting a number of facts wrong as well as needless concentration on the Dora Camp, worthy of a brief footnote if at all.

0 of 0 people found the following review helpful.
Absorbing Technical, Economic, and Moral Study
By Paul Bolstad
The book begins with an absorbing technical study of the rise and development of rocketry in Germany, from the last years of the Weimar state through the pre-war Nazi state. Once the war begins, the focus shifts to an absorbing study of the bizarre empire-building politics of Nazi Germany, politics Neufeld argues were mastered by proponents of the A4/V2 weapons program at a fearsome cost. In the end, production of the A4 rocket cost far more to the German economy and in lives of enslaved laborers than it did-- or, Neufeld convincingly points out, ever could-- in terms of damage or casualties to Allied victims of "V-2" strikes. For those looking to see a complete technical accounting of the rocket itself, such details fade away in the second half of the book. What remains consistent throughout the book is the central character of Wernher von Braun, whom Neufeld points out must have a legacy compromised by his own complicity in building a rocket "empire" in Germany at fearsome physical and moral cost.

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Selasa, 06 Oktober 2015

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The Playboy and the Rat - the story of James Hunt and Niki Lauda, by Roy Calley

James Hunt and Niki Lauda defined an era in Formula 1 in the 70s. Their battle for the 1976 World Championship is still regarded as one of the most exciting and dramatic in the sport's history. This is the story of that season and much more. With Lauda's return from life-threatening injuries the stuff of legend and Hunt's last gasp title success bringing a whole new generation of followers previously immune to the sport, the Playboy and the Rat brings that story to life once more. After that remarkable season, their careers, and their lives, went in almost polar opposite directions, with Lauda becoming the respected elder statesman of the sport. Hunt died at an unseemly age after a life that typified the image of a racing driver. 'The Playboy and the Rat' tells their story from ambition-filled beginnings to the culmination of their dreams and beyond.

  • Sales Rank: #956745 in eBooks
  • Published on: 2013-06-10
  • Released on: 2013-06-10
  • Format: Kindle eBook

About the Author
Roy Calley works for BBC Sport and has been involved in F1 in one form or another since the mid 70s. His all-time sporting hero was James Hunt, ever since seeing him race in 1976. Calley is also a massive fan of Blackpool Football Club and writes about the club. He also goes to games as much as his busy Formula One schedule allows.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Cant go wrong on the subject matter. choppily written
By Shannon
Subject matter is excellent. The writing is terribly choppy and jumps around. It's almost like he's calling the book like one would call a race. "Hunt was like this when.. Lauda was here and people thought... but Hunt... on and on" Good material very badly presented.

1 of 1 people found the following review helpful.
OK book but badly printed
By Amazon Customer
Not a bad book. The writing was OK but not stellar. The biggest problem is the printing. There was one line of text on every other page that is illegible.

0 of 0 people found the following review helpful.
Story good, but digitalization could be better
By Emily J. White
The story is very entertaining and gives a good idea of what racing was like "back in the day." Formula One was a very, very dangerous sport. However, the digitalization of the book leaves a lot to be desired. Much of the punctuation has been omitted, resulting in run-on sentences that result in confusion. I was constantly re-reading paragraphs to determine what portion was modifying what. I cannot recommend the Kindle version as it is, so if you want to read the book get the print version, at least until the Kindle version is updated.

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Kamis, 01 Oktober 2015

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Moonbear's Sunrise, by Frank Asch

Join Moonbear for his first sunrise in this all-new adventure from award-winning author and illustrator Frank Asch.

Moonbear loves watching the moon rise, enjoying its beauty and wonder. But when Little Bird tells Moonbear that sunrise is just as beautiful as moonrise, Bear wants to see that, too! Can he find a way to enjoy his favorite nighttime activity (moongazing, of course) and still wake up early?

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  • Sales Rank: #1742804 in eBooks
  • Published on: 2014-03-04
  • Released on: 2014-03-04
  • Format: Kindle eBook

About the Author
Frank Asch, a graduate of Cooper Union, has written more than eighty children’s books, among them the bestselling classics featuring Moonbear and Baby Bear; Russian National Book Award recipient Here Comes the Cat; and Oppenheimer Toy Portfolio Golden Award winner Like a Windy Day. Mr. Asch lives in Hawaii.

Frank Asch, a graduate of Cooper Union, has written more than eighty children’s books, among them the bestselling classics featuring Moonbear and Baby Bear; Russian National Book Award recipient Here Comes the Cat; and Oppenheimer Toy Portfolio Golden Award winner Like a Windy Day. Mr. Asch lives in Hawaii.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Early to bed, early to rise....that's how you see a bright and beautiful sunrise !
By Bob Walch
This is a delightful story about a little bear who just can't seem to get up early enough in the morning to see the sun come up. Little Bear tries setting a number of alarm clocks but they don't awaken him. Then he asks his good friend, Little Bird, to wake him up but that doesn't work either. Finally Little Bird comes up with a plan that does work. Hooray!

The simple but colorful illustrations make this story come alive and toddlers will love reading about Little Bear and problem of never seeing the sunrise. Try using this book with a child who doesn't like to go to bed a night. Perhaps it will help.

Book provided by publisher.

1 of 1 people found the following review helpful.
My five year old and seven year old loved it.
By Senae R. Smith
From my five year old: "It was great." From my seven year old: "It was funny when Bear asked Little Bird why he didn't wake him up, and he said, ' I tried. I even pecked you on the nose!' And he bought 10 alarm clocks!" We love the Frank Asch books.

0 of 0 people found the following review helpful.
Frank Asch books are the best.
By Amazon Customer
We received this book promptly, and my 7-year-old son loves it so much he rereads it almost daily. Frank Asch books are the best.

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Rabu, 30 September 2015

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Updike, by Adam Begley

Updike is Adam Begley’s masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike—a candid, intimate, and richly detailed look at his life and work.

In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing “middleness with all its grits, bumps and anonymities.”

Updike explores the stages of the writer’s pilgrim’s progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer’s colleagues, friends, and family, Begley explores how Updike’s fiction was shaped by his tumultuous personal life—including his enduring religious faith, his two marriages, and his first-hand experience of the “adulterous society” he was credited with exposing in the bestselling Couples.

With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike’s best-loved works—from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy—and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else’s.

  • Sales Rank: #435745 in eBooks
  • Published on: 2014-04-08
  • Released on: 2014-04-08
  • Format: Kindle eBook

Amazon.com Review

An Amazon Best Book of the Month, April 2014: Especially with fiction, It’s often useful to separate artists from their art, to assume that a novel, or an entire body of work, isn’t thinly veiled autobiography. Updike, Adam Begley’s exhaustive and revealing account of the American master’s life, begs us to reconsider that doctrine. Detailed yet readable, it goes far beyond describing the chronology of this unsurprisingly complex (and often paradoxical) character, layering on the lit crit where John Updike’s real life bled into his novels. Essential for admirers and illuminating for anyone with an interest in literature, Updike already merits consideration as one of the best biographies of 2014. --Jon Foro

From Booklist
A keen appreciation for literary criticism is a prerequisite for reader interest in this thoroughly researched and rigorously presented biography of one of the most honored and respected American writers of the twentieth century. Updike was the last of the Renaissance men, at home in all fields of writing. His novels and short stories dominate his canon, but poetry and literary and art criticism did not take backseats in terms of the intelligence and writerly skills he brought to such endeavors. Updike certainly was multidimensional, and his long life and distinguished career attest to an unwavering focus on achieving distinctiveness in his writing. To that end, he gathered as fodder the details of the environs in which he lived, namely Pennsylvania and Massachusetts, and all the subtleties of personality he could discern in the people who inhabited those locales with him, even close family members. It is Begley’s primary goal to stitch Updike’s writing to the realities of his existence. He does so meaningfully but too often intrusively, at the expense of a smoothly flowing pursuit of the events in Updike’s life. Nevertheless, this is an important view of a giant literary figure. High-Demand Backstory: A national media, radio, and print campaign and a social-networking campaign on Goodreads will be part of the publicity campaign to promote this major biography. --Brad Hooper

Review
''A brilliant biography. . . . A delightfully rich book. . . . Highly readable. . . . The joys of Updike are based on discovering the autobiographical content of the tens of thousands of details that populate Updike's vast fictional universe.'' (Orhan Pamuk, The New York Times Book Review)

''A superb achievement. . . . A book that, in its evocation of a brilliant but flawed personality, conjured via the skillful deployment of just-so details and a subtle hint of haunting existential grace, is in some ways as rewarding as Updike's best fiction.'' (Scott Stossel, The Boston Globe)

''A beautifully written, richly detailed, and warmly sympathetic portrait of a great American writer.'' (Joyce Carol Oates)

''Adam Begley's Updike is a model of what a literary biography should be: rich with penetrating insights not only about the life but also about the work. It will enthrall long-time Updike fans and help create generations of new ones.'' (Francine Prose)

''Adam Begley's brilliant evocation of our own literary giant should be required reading for Americans; Updike illumines a particular era with John Updike's own ferocity and tenderness.'' (Jayne Anne Phillips)

''Adam Begley's careful and considerate biography illuminates all the right things about Updike, whose dramas were lived both privately and publicly. It's a social history in which one man's heart, mind, and talent came to resonate for an entire society.'' (Ann Beattie)

'''You have to give it magic,' John Updike explained of the stuff on the page; Adam Begley has done him proud, offering up Updike the man and Updike the writer in an exuberant, stunningly choreographed pas de deux.'' (Stacy Schiff)

''Adam Begley tells the story of John Updike's life in art with brilliant tautness, as if he were writing a novel. He has rendered a portrait of the writer that shimmers with truth. This is literary biography at its highest level of excellence.'' (Janet Malcolm)

''On the evidence of this judicious new biography, John Updike recorded in his fiction the most painful events in his life. . . . Begley demonstrates that Updike was more complicated than the twinkly public persona he created for himself.'' (Robert Wilson, The American Scholar)

''Begley seamlessly weaves biography and critical analysis throughout his book, much as Updike himself blurred autobiography and fiction. Updike is a monumental treatment of a towering American writer.'' (The New York Observer)

''As a biographer, Begley has a great many strengths -- concision, eloquence, an eagle eye -- and few of the usual shortcomings.'' (The Wall Street Journal)

''Not only has Begley written a convincing interpretative biography, one characterized by suavity, wit, and independent judgment throughout, he has also produced a major work of Updike criticism. . . . Displaying total command of his material, Begley does his author proud.'' (Michael Dirda, The Washington Post)

''Honorable. . . . Updike's exquisite words flowed, some felt, too freely and too amiably. . . . It's one of the achievements of Begley's book that it so acutely demonstrates how it all, in fact, didn't come so easily. . . . Begley is a gifted literary critic.'' --(Dwight Garner, The New York Times)

''The two-time Pulitzer winner couldn't have hoped for a biography more respectful -- or more critically attuned to his work than this one. Updike is gracefully written. . . . It contains revealing tales about Updike's work habits and publishing relationships that haven't been told before.'' (The San Francisco Chronicle)

''An exemplary biography, oceanically researched, full of insights. . . . Begley is even-handed in his judgments and is a fine writer himself, his supple and cadenced prose sometimes matching his subject's.'' (The Sunday Times (London))

''An insightful, compelling, discreet, and admirable biography. . . . In synthesizing a substantial amount of material through clear, intelligent prose, Begley does what I never thought possible: he writes a biography I wished were longer.'' (The Christian Science Monitor)

''This is a generous tribute to an amusing and brilliant man. . . . Begley is a perceptive reader, illuminating the different alter egos who populate Updike s fiction.'' (The Financial Times)

''Though Adam Begley s biography is the first on the writer, it's hard to see how it will be bettered. Thoroughly researched, written with intelligence, sympathy, and grace, it is a model of first-rate literary biography. . . . A complex, intimate portrait.'' (Dan Cryer, Newsday)

''Adam Begley has written an exemplary biography. . . . Respectful and sympathetic. . . . Any Updike fan will find it rewarding, as indeed will anyone who has enjoyed his work and any reader with an interest in modern American letters.'' (The Guardian)

''Begley is so much in command of his subject. . . . He has located the man behind the giant oeuvre.'' (Sam Tanenhaus, Prospect)

''A master storyteller comes to affably charming life in Begley's incisive biography. . . . Begley finds the truest reflection of the man in his work.'' (Vogue)

''Fabulous. . . . Updike fans will enjoy Begley's marvelous biography, which is as much about the man as the writer.'' (Entertainment Weekly)

''Terrific. . . . Begley's book blends biography with a brilliant close read of Updike's work. . . . As insightful on the work as the life, it is a complicated and fascinating portrait of one of the great literary lives of the second half of the 20th century.'' (Salon)

''A hefty, thorough biography. . . . Begley does an impressive, conscientious job of marshaling evidence of Updike's many contradictions.'' (Jonathan Dee, Harper's)

''An insightful and meticulously researched book. . . . A sustained, very fine work of literary criticism.'' (The New Republic)

''A highly literate illumination of a supremely literate human being.'' (Louis Menand, The New Yorker)

''Begley is quiet, careful, self-effacing, and steady. . . . He amply shows us the strangeness and contradictions under the affable mask.'' (Hermione Lee, The New York Review of Books)

''A sympathetic and thorough biography. . . . The more I read about Updike, the more I wanted to go back and read Updike.'' --(USA Today)

Most helpful customer reviews

35 of 36 people found the following review helpful.
A Life-Long Ethnography of Himself
By not a natural
For those of us who do not read a lot of fiction and have little knowledge of the world of contemporary literature, Adam Begley's biography Updike is more accessible and interesting than one might expect. Even though Updike's work includes literally hundreds of titles -- novels, short stories, poems, exercises in criticism, edited collections, obituaries, tributes, and works that defy conventional categorization -- Begley provides the kind and level of coherence that even we relatively untutored readers can follow. In view of the sheer volume of Updike's prose and poetry, Begley's ability to loosely but interpretably tie things together thematically and stylistically is very helpful, providing encouragement and generating interest in reading Updike's work, whether systematically or in a catch-as-catch-can manner.

Following Begley, Updike's writing, with occasional exceptions, might usefully be characterized as a long-term ethnography of himself. Whatever he was doing, from having sex to planting a vegetable garden to putting up storm windows, Updike maintained an essential detachment, enabling him to observe himself and how he felt even when fully engaged in the activity at hand. Whether his tasks were exotic, mundane, dully commonplace, or fraught with a disparate multitude of other feeling and ideas, he retained his role as an observer.

This same capacity for non-stop observation and internal documentation enabled Updike to become keenly adept at describing his physical environment in remarkably fine detail. A cup and saucer, the leaf of a sugar maple in autumn, the unnerving grinding of gears that fail to mesh when a standard transmission is being used by a beginning driver -- an abundance of sights and sounds that provided a richly detailed context for whatever Updike was writing about. One might reasonably maintain that Updike lived so that he could write, never really unselfconscious, and always on the self-centered alert. Perhaps this is why he said that he sometimes couldn't disentangle what he had written from what he had actually lived.

That so much of his work is set in his hometown of Shillington and later in the farmhouse in Plowville, places where he lived out his boyhood and adolescence, reinforces the notion that his unfailing self-awareness was not something Updike deliberately sought to develop. Instead, it was an innate capability, something that was there from the beginning and that he never lost. He took it for granted as it helped make him the writer he wanted to be.

This sort of tightly focused self-awareness and attention to accurate rendering of everyday details is by no means an unmixed blessing, nor it is something that all writers want or admire. Critics sometimes found his work, the entire oeuvre as it existed at any time, entirely too autobiographical. When he married and moved to suburban Ipswitch, he inevitably took the self-aware, autobiographical approach with him. In the early '60's when he wrote Couples, another novel about ordinary people, self-centered and deeply immersed in the then startlingly lurid bed-hopping that constituted a substantial part of their everyday lives, he was still an ethnographer, a participant-observer, studying himself as closely as he studied his friends and neighbors.

Begley devotes an entire chapter to couples, writing for the most part about the short story that preceded the full-length novel. For one who read Couples at the time it was first published, it's a bit disconcerting to read about Tarbox (Ipswitch) and its obsessively adulterous sex without reference to the novel's protagonist and premier sexual athlete, Piet Hanema. Couples was a literary sensation whose influence spilled over into popular magazines such as Time and Newsweek. I recall reading a brief news-magazine interview with Updike in which he was asked the obvious: was his portrayal of the lasciviousness of his friends and neighbors an accurate rendering of life in Ipswitch. Coyly, he acknowledged that it was unlikely that thirty-something couples could be as actively and intensely engaged as the Ipswitch crowd without giving rise to something more intense than volleyball and touch football. According to Begley, however, this disingenuous response thoroughly understated Updike's real-life philandering as well as that of his wife and the rest of the Ipswitch group.

I think that Couples can reasonably be read as an explanation for the disaffection of youth that went beyond the civil rights and anti-war movements. The lives of upper middle class suburbanites may have been filled with sexual adventurism, but otherwise they seemed meaningless, as if the sex and incessant group socializing were part of a desperate effort to fill a purposeless void. Whether or not that is the case, this is another instance in which Updike used his powers of detached observation and interpretation to tell us still more about the lives of ordinary Americans, which I take to be the over-riding purpose of his work, prolific as he was.

I think Updike was keenly attuned to the idea that life in the U.S. was, for many ordinary citizens, an often fruitless and failed search for meaning and purpose, and this was manifest in Updike's own uncertain and uneasy adherence to an amorphous sort of Christian faith, as well as his intellectually unfashionable patriotism. My conjectures, however, are based on the little that I've read by Updike and on Begley's detailed biography. For readers whose knowledge of Updike's work is as limited as mine, Begley's book may best be construed as an invitation to read more of Updike. I'm going to start with the Rabbit tetralogy, and see if it, too, describes and unrelenting search for something solid and substantial to hold on to, maybe a Toyota dealership construed as something more.

61 of 67 people found the following review helpful.
This bio is filled with very interesting and informative information
By Israel Drazin
This is an easy to read, very detailed, sympathetic, and insightful biography of Updike’s life and an explanation of his writings. Begley drew upon extensive interviews, including talks with Updike’s mother, friends and acquaintances, and meticulous examinations of much archival material. Despite details, it is not at all ponderous. To the contrary, the book is interesting, enlightening, and enjoyable.
Begley tells about Updike’s early years in Berks County during the depression, how he wanted to be a cartoonist, how his mother was the strong figure in his family and overrode his wishes and those of his father. She was also a writer, although not successful. She was certain that her son would be a great writer and therefore took him, against his wishes, to a somewhat secluded farm. Begley describes Updike’s strange relationship with his parents and how he depicted them in his writings in a somewhat negative fashion, although his parents admitted that he described them correctly.
Begley tells about Updike’s escape from his parents as soon as he was able to drive, his life in Harvard, and his years at The New Yorker, which rejected many of his early writings, for writing for The New Yorker was his early life-time goal. He also tells about his foreign travels and his final home where he remained until he died in 2009.
Most interesting is Begley’s examination of Updike’s stories and his revelation that many incidences are based with very little disguise on Updike’s life, and on his description of Updike, revealing that he was not precisely what he appeared to be.
Readers will find much that will interest them in this bio and will learn much about this famous author.

25 of 28 people found the following review helpful.
A GRACEFUL AND INSIGHTFUL BIOGRAPHY OF THE WRITER AS MEMORY ARTIST
By David Keymer
There are occasional passages (e.g., in the chapter “The Two Iseults”) that read like a fast-paced motor tour of Updike’s stories –hey! hop, skip, it’s time to move on to the next story-- but for the most part, Begley is a sympathetic reader who uses the blatantly autobiographical material of Updike’s corpus to dig into the writer’s complicated inner life and its connection with his fiction, poetry and prose. The book is peppered with sympathetic insights into Updike’s life and literary corpus and Begley, former book editor for the New York Observer (1996-2009) writes like a dream.

In a famous address, Updike once said that his fiction pledged allegiance “to the mild, middling truth of American life” but as a writer, he was seldom if ever middling. Dismissed by some critics as too much a miniaturist and memory artist, Updike yet managed to pull off one of the great literary coups of modern times with his magnificent Rabbit Angstrom tetralogy. If he had written nothing else I suspect we’d be reading him for quite a long while but he was prolific writer (sixty-four published volumes in his lifetime!). It would be hard to better Begley’s biography of the artist. It is both graceful (grace-filled) and insightful.

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Selasa, 29 September 2015

~~ Ebook The Mayor of MacDougal Street [2013 edition]: A Memoir, by Dave Van Ronk

Ebook The Mayor of MacDougal Street [2013 edition]: A Memoir, by Dave Van Ronk

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The Mayor of MacDougal Street [2013 edition]: A Memoir, by Dave Van Ronk

The Mayor of MacDougal Street [2013 edition]: A Memoir, by Dave Van Ronk



The Mayor of MacDougal Street [2013 edition]: A Memoir, by Dave Van Ronk

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The Mayor of MacDougal Street [2013 edition]: A Memoir, by Dave Van Ronk

Dave van ronk (1936-2002) was not only one of the founding figures of the 1960s folk music revival; he was a pioneer of modern acoustic blues, a fine songwriter and arranger, a powerful singer, and one of the most influential guitarists of his era. He was also a marvelous storyteller, a peerless musical historian, and one of the most quotable figures in The Village.

The Mayor of MacDougal Street is a unique firsthand account of the sixties folk scene that includes encounters with young stars-to-be like Bob Dylan and Joni Mitchell and older luminaries like Woody Guthrie and Odetta. Colorful, hilarious, and engaging, The Mayor of MacDougal Street will appeal not only to folk and blues fans but also to anyone interested in the music, politics, and spirit of a revolutionary period in American culture.

  • Sales Rank: #63447 in eBooks
  • Published on: 2013-10-15
  • Released on: 2013-10-15
  • Format: Kindle eBook

Review
Praise for The Mayor of MacDougal Street

NewYorker.com, 9/30/13
“[A] wonderful memoir.”

Slate, 12/2/13
“Your best guide when it comes to Inside Llewyn Davis—apart from what follows, of course—is Van Ronk’s posthumous memoir, The Mayor of MacDougal Street.”

New York Times, 11/30/13
“[A] sharp cantankerous memoir.”

The Culture Trip, 4/1/16
“Gives the play-by-play for a musical movement that was humble in origin, but huge in populous fervor. Woody Guthrie; Joan Baez; Pete Seeger; Richie Havens; Bob Dylan, Peter, Paul and Mary; plus dozens more, they all live and breathe within these pages…One of folk’s unsung heroes, Van Ronk mixes poetry and revolution, rolled into a posthumously released autobiography as much a history of the Village, and the folk venues that made it famous, as the life story of its ‘Mayor.’”

About the Author
In the course of his forty-year career, Dave Van Ronk recorded more than two dozen albums, toured on four continents, was nominated for two Grammys, and received an ASCAP Lifetime Achievement Award.

Coauthor Elijah Wald wrote the acclaimed study of the myth, music, and life of blues legend Robert Johnson, Escaping the Delta. He also wrote the biography Josh White: Society Blues as well as Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerrillas. A musician and journalist, he lives in Cambridge, Massachusetts.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book on a time and place
By Drew Sullivan
Dave Van Ronk was an American original who is still an interesting listen but a good read as well. It's the best context I have read on Greenwhich Village in the late 50s.

0 of 0 people found the following review helpful.
Five Stars
By nancy Riker
Interesting!

15 of 15 people found the following review helpful.
It far exceeded my expectations
By John Jay
I knew that I would be interested in Van Ronk's memoir just because of its subject matter: the folk music revival and the Greenwich Village scene that produced Bob Dylan and other famous musicians. What I didn't expect was that Dave Van Ronk and his co-author would write a book that is both witty and deep in its analysis of both musical and social trends of the 1950s and 1960s. Van Ronk's views on the folk music scene and American society deserve serious attention, and some of his escapades such as going to California in a drive-away car had me laughing out loud.

Van Ronk did not become a star like the people who he wrote about but, in the end, he was more than satisfied with having been able to live his life as a professional musician, and I was more than satisfied with reading his entertaining account.

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## PDF Download Clinical Trial Design: Bayesian and Frequentist Adaptive Methods, by Guosheng Yin

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Clinical Trial Design: Bayesian and Frequentist Adaptive Methods, by Guosheng Yin

A balanced treatment of the theories, methodologies, and design issues involved in clinical trials using statistical methods

There has been enormous interest and development in Bayesian adaptive designs, especially for early phases of clinical trials. However, for phase III trials, frequentist methods still play a dominant role through controlling type I and type II errors in the hypothesis testing framework. From practical perspectives, Clinical Trial Design: Bayesian and Frequentist Adaptive Methods provides comprehensive coverage of both Bayesian and frequentist approaches to all phases of clinical trial design. Before underpinning various adaptive methods, the book establishes an overview of the fundamentals of clinical trials as well as a comparison of Bayesian and frequentist statistics.

Recognizing that clinical trial design is one of the most important and useful skills in the pharmaceutical industry, this book provides detailed discussions on a variety of statistical designs, their properties, and operating characteristics for phase I, II, and III clinical trials as well as an introduction to phase IV trials. Many practical issues and challenges arising in clinical trials are addressed. Additional topics of coverage include:

  • Risk and benefit analysis for toxicity and efficacy trade-offs

  • Bayesian predictive probability trial monitoring

  • Bayesian adaptive randomization

  • Late onset toxicity and response

  • Dose finding in drug combination trials

  • Targeted therapy designs

The author utilizes cutting-edge clinical trial designs and statistical methods that have been employed at the world's leading medical centers as well as in the pharmaceutical industry. The software used throughout the book is freely available on the book's related website, equipping readers with the necessary tools for designing clinical trials.

Clinical Trial Design is an excellent book for courses on the topic at the graduate level. The book also serves as a valuable reference for statisticians and biostatisticians in the pharmaceutical industry as well as for researchers and practitioners who design, conduct, and monitor clinical trials in their everyday work.

  • Sales Rank: #2202141 in eBooks
  • Published on: 2013-06-07
  • Released on: 2013-06-07
  • Format: Kindle eBook

Review

“In summary, this book is useful for anyone interested in design and analysis of clinical studies. The main strengths of this book are the well-balanced approach between statistical theories and statistical analysis methods of the design issues involved in clinical trials. I would suggest the usage of this book as a Master’s level course in biostatistics.”  (Journal of Biopharmaceutical Statistics, 1 May 2013)

“The author should be commended; the text is well written and packed with information that belies the book’s trim size."  (Drug Information Journal, 30 October 2012)

“The book accompanied with software developed at MD Anderson Cancer Center provides an excellent reference for everyone who works in clinical trial field.”  (Biometrics, 1 July 2012)

From the Back Cover

A balanced treatment of the theories, methodologies, and design issues involved in clinical trials using statistical methods

There has been enormous interest and development in Bayesian adaptive designs, especially for early phases of clinical trials. However, for phase III trials, frequentist methods still play a dominant role through controlling type I and type II errors in the hypothesis testing framework. From practical perspectives, Clinical Trial Design: Bayesian and Frequentist Adaptive Methods provides comprehensive coverage of both Bayesian and frequentist approaches to all phases of clinical trial design. Before underpinning various adaptive methods, the book establishes an overview of the fundamentals of clinical trials as well as a comparison of Bayesian and frequentist statistics.

Recognizing that clinical trial design is one of the most important and useful skills in the pharmaceutical industry, this book provides detailed discussions on a variety of statistical designs, their properties, and operating characteristics for phase I, II, and III clinical trials as well as an introduction to phase IV trials. Many practical issues and challenges arising in clinical trials are addressed. Additional topics of coverage include:

  • Risk and benefit analysis for toxicity and efficacy trade-offs

  • Bayesian predictive probability trial monitoring

  • Bayesian adaptive randomization

  • Late onset toxicity and response

  • Dose finding in drug combination trials

  • Targeted therapy designs

The author utilizes cutting-edge clinical trial designs and statistical methods that have been employed at the world's leading medical centers as well as in the pharmaceutical industry. The software used throughout the book is freely available on the book's related website, equipping readers with the necessary tools for designing clinical trials.

Clinical Trial Design is an excellent book for courses on the topic at the graduate level. The book also serves as a valuable reference for statisticians and biostatisticians in the pharmaceutical industry as well as for researchers and practitioners who design, conduct, and monitor clinical trials in their everyday work.

About the Author

GUOSHENG YIN, PhD, is Associate Professor in the Department of Statistics and Actuarial Science at The University of Hong Kong, and Adjunct Associate Professor in the Department of Biostatistics at The University of Texas MD Anderson Cancer Center.

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Senin, 28 September 2015

? Get Free Ebook Hannah Arendt: The Last Interview: And Other Conversations (The Last Interview Series), by Hannah Arendt

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Hannah Arendt: The Last Interview: And Other Conversations (The Last Interview Series), by Hannah Arendt

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Hannah Arendt: The Last Interview: And Other Conversations (The Last Interview Series), by Hannah Arendt

Arendt was one of the most important thinkers of her time, famous for her idea of "the banality of evil" which continues to provoke debate. This collection provides new and startling insight into Arendt's thoughts about Watergate and the nature of American politics, about totalitarianism and history, and her own experiences as an émigré.

Hannah Arendt: The Last Interview and Other Conversations is an extraordinary portrait of one of the twentieth century's boldest and most original thinkers. As well as Arendt's last interview with French journalist Roger Errera, the volume features an important interview from the early 60s with German journalist Gunter Gaus, in which the two discuss Arendt's childhood and her
escape from Europe, and a conversation with acclaimed historian of the Nazi period, Joachim Fest, as well as other exchanges.

These interviews show Arendt in vigorous intellectual form, taking up the issues of her day with energy and wit. She offers comments on the nature of American politics, on Watergate and the Pentagon Papers, on Israel; remembers her youth and her early experience of anti-Semitism, and then the swift rise of the Hitler; debates questions of state power and discusses her own processes of thinking and writing. Hers is an intelligence that never rests, that demands always of her interlocutors, and her readers, that they think critically. As she puts it in her last interview, just six months before her death at the age of 69, "there are no dangerous thoughts, for the simple reason that thinking itself is such a dangerous enterprise."

  • Sales Rank: #804101 in eBooks
  • Published on: 2013-12-03
  • Released on: 2013-12-03
  • Format: Kindle eBook

Review
"We are still living in Hannah Arendt's world... It is hard to name a thinker of the twentieth century more sought after as a guide to the dilemmas of the twenty-first." —Adam Kirsch,The New Yorker

“The combination of tremendous intellectual power with great common sense makes Miss Arendt’s insight into history and politics seem both amazing and obvious.” —Mary McCarthy

“[Arendt] took responsibility for observing the inhuman uses of power and for summoning her generation to judgment and action.” —Samantha Power, The New York Review of Books

About the Author
HANNAH ARENDT (1906-1975) was one of the foremost political philosophers of the twentieth century. She fled Europe for the United States in 1941 and spent her career as a professor at a number of American universities, including the New School for Social Research and University of Chicago. She is best known for her books The Origins of Totalitarianism and Eichmann in Jerusalem.

Most helpful customer reviews

14 of 14 people found the following review helpful.
Be warned
By Michael McKinney
This is hardly a worth-while collection from the work of this brilliant thinker -- especially at the price. The book is 133 pages and of the 4 interviews, the first, from 1964, is important but can be found in "The Portable Hannah Arendt". The second, also from 1964, is a brief rehash of the Eichmann affair that falls far short of Arendt's responses included in the "Portable". The third, dated 1970, is a thoughtful review of the left-wing, especially American, political scene at the time, and its 36 pages provide the only reason for buying this book. The fourth, from 1973, is an embarrassment to the editors. It's a bizarrely truncated "reconstruction" of Arendt's responses to a television interview conducted in French, which, between the editing and original (translated) level of questioning, left Ms. Arendt with little to say -- sadly discourteous for a last interview.

1 of 1 people found the following review helpful.
Not her best but interesting
By Peter E. Schrag
Not her best but interesting. She had an incisive and original mind and tried to explain and come to terms with the major problem of her era. The link between Fascism, antisemitism, economic depression, and unemployment is hopefully a bygone constellation of horrors but Primo Levi said, It happened and therefore it can happen again. So Hannah Arendt is worth paying attention to. Peter E. Schrag

2 of 2 people found the following review helpful.
Calm, reflective, introspective, rational insights into the important issues.
By Peter S. Bradley
This is a collection of interviews with Hannah Arendt spanning the period from approximately 1964 to 1973. The interviews cover the controversy over Arendt's "Eichman in Jerusalem," her other works, the student protest movement, freedom, history, Watergate, an obscure reference to her relationship with Martin Heidegger, and even a term not heard of since 1976, the "credibility gap." Throughout it all, Arendt presents herself as a thoughtful and wise person.

Arendt offers some insights into her view of her own work. For example, she didn't consider herself a "philosopher" because that seemed to be too masculine an occupation for her:

//ARENDT: I am afraid I have to protest. I do not belong to the circle of philosophers. My profession, if one can even speak of it at all, is political theory. I neither feel like a philosopher, nor do I believe that I have been accepted in the circle of philosophers, as you so kindly suppose. But to speak of the other question that you raised in your opening remarks: you say that philosophy is generally thought to be a masculine occupation. It does not have to remain a masculine occupation! It is entirely possible that a woman will one day be a philosopher  …*//

Arendt, Hannah (2013-12-03). Hannah Arendt: The Last Interview: And Other Conversations (Kindle Locations 52-56). Melville House. Kindle Edition.

To us, in this day and age, this sounds so very "quaint."

Arendt considered herself a "political theorist," albeit I think she was far too modest.

A fascinating feature of these interviews is that they provide an access to Arendt's experience of history, which is so very different from our experience. For example, for anyone living today, the idea that there was a time when we didn't know about Auschwitz is easy to forget, and with it the difference between the shock of 1933 and the shock of 1943:

//ARENDT: Yes, very frequently. I have seen it in people as a result of shock. You know, what was decisive was not the year 1933, at least not for me. What was decisive was the day we learned about Auschwitz.

GAUS: When was that?

ARENDT: That was in 1943. And at first we didn’t believe it— although my husband and I always said that we expected anything from that bunch. But we didn’t believe this because militarily it was unnecessary and uncalled for. My husband is a former military historian, he understands something about these matters. He said don’t be gullible, don’t take these stories at face value. They can’t go that far! And then a half year later we believed it after all, because we had the proof. That was the real shock. Before that we said: Well, one has enemies. That is entirely natural. Why shouldn’t a people have enemies? But this was different. It was really as if an abyss had opened. Because we had the idea that amends could somehow be made for everything else, as amends can be made for just about everything at some point in politics. But not for this. This ought not to have happened. And I don’t mean just the number of victims. I mean the method, the fabrication of corpses and so on— I don’t need to go into that. This should not have happened. Something happened there to which we cannot reconcile ourselves. None of us ever can. About everything else that happened I have to say that it was sometimes rather difficult: we were very poor, we were hunted down, we had to flee, by hook or by crook we somehow had to get through, and whatever. That’s how it was. But we were young. I even had a little fun with it— I can’t deny it. But not this. This was something completely different. Personally I could accept everything else.

Arendt, Hannah (2013-12-03). Hannah Arendt: The Last Interview: And Other Conversations (Kindle Locations 291-305). Melville House. Kindle Edition.

Likewise, consider Arendt's experience of the Nazi's in 1933:

//ARENDT: Yes. I was found out. I was very lucky. I got out after eight days because I made friends with the official who arrested me. He was a charming fellow! He’d been promoted from the criminal police to a political division. He had no idea what to do. What was he supposed to do? He kept saying to me, “Ordinarily I have someone there in front of me, and I just check the file, and I know what’s going on. But what shall I do with you?”

GAUS: That was in Berlin?

ARENDT: That was in Berlin. Unfortunately, I had to lie to him. I couldn’t let the organization be exposed. I told him tall tales, and he kept saying, “I got you in here. I shall get you out again. Don’t get a lawyer! Jews don’t have any money now. Save your money!” Meanwhile the organization had gotten me a lawyer. Through members, of course. And I sent this lawyer away. Because this man who arrested me had such an open, decent face. I relied on him and thought that here was a much better chance than with some lawyer who himself was afraid.

GAUS: And you got out and could leave Germany?

ARENDT: I got out, but had to cross the border illegally  …   my name had not been cleared.

Arendt, Hannah (2013-12-03). Hannah Arendt: The Last Interview: And Other Conversations (Kindle Locations 135-146). Melville House. Kindle Edition.

What an amazing experience, and how odd to think of a Jew trusting a Nazi because he had an "open, decent face."

The experience of betrayal by the academic community - and, although she doesn't name him, presumably Martin Heidegger - created a pragmatic view about intellectuals:

//GAUS: You mean that the shock in 1933 came from the fact that events went from the generally political to the personal?

ARENDT: Not even that. Or, that too. First of all, the generally political became a personal fate when one emigrated. Second  …   friends “coordinated” or got in line. The problem, the personal problem, was not what our enemies did but what our friends did. In the wave of Gleichschaltung (coordination),‖ which was relatively voluntary— in any case, not yet under the pressure of terror— it was as if an empty space formed around one. I lived in an intellectual milieu, but I also knew other people. And among intellectuals Gleichschaltung was the rule, so to speak. But not among the others. And I never forgot that. I left Germany dominated by the idea— of course somewhat exaggerated: Never again! I shall never again get involved in any kind of intellectual business. I want nothing to do with that lot. Also I didn’t believe then that Jews and German Jewish intellectuals would have acted any differently had their own circumstances been different. That was not my opinion. I thought that it had to do with this profession, with being an intellectual. I am speaking in the past tense. Today I know more about it  …

GAUS: I was just about to ask you if you still believe that.

ARENDT: No longer to the same degree. But I still think that it belongs to the essence of being an intellectual that one fabricates ideas about everything. No one ever blamed someone if he “coordinated” because he had to take care of his wife or child. The worst thing was that some people really believed in Nazism! For a short time, many for a very short time. But that means that they made up ideas about Hitler, in part terrifically interesting things! Completely fantastic and interesting and complicated things! Things far above the ordinary level! I found that grotesque. Today I would say that they were trapped by their own ideas. That is what happened. But then, at that time, I didn’t see it so clearly.

Arendt, Hannah (2013-12-03). Hannah Arendt: The Last Interview: And Other Conversations (Kindle Locations 238-255). Melville House. Kindle Edition.

Arendt offers some keen insights into freedom and totalitarianism which are still pertinent today, although perhaps not as much as they were in the 1960s and 1970s.

This book is an easy read and quite refreshing in terms of its unhurried, deeply reflective, rationality.

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