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Updike, by Adam Begley

Updike is Adam Begley’s masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike—a candid, intimate, and richly detailed look at his life and work.

In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing “middleness with all its grits, bumps and anonymities.”

Updike explores the stages of the writer’s pilgrim’s progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer’s colleagues, friends, and family, Begley explores how Updike’s fiction was shaped by his tumultuous personal life—including his enduring religious faith, his two marriages, and his first-hand experience of the “adulterous society” he was credited with exposing in the bestselling Couples.

With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike’s best-loved works—from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy—and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else’s.

  • Sales Rank: #435745 in eBooks
  • Published on: 2014-04-08
  • Released on: 2014-04-08
  • Format: Kindle eBook

Amazon.com Review

An Amazon Best Book of the Month, April 2014: Especially with fiction, It’s often useful to separate artists from their art, to assume that a novel, or an entire body of work, isn’t thinly veiled autobiography. Updike, Adam Begley’s exhaustive and revealing account of the American master’s life, begs us to reconsider that doctrine. Detailed yet readable, it goes far beyond describing the chronology of this unsurprisingly complex (and often paradoxical) character, layering on the lit crit where John Updike’s real life bled into his novels. Essential for admirers and illuminating for anyone with an interest in literature, Updike already merits consideration as one of the best biographies of 2014. --Jon Foro

From Booklist
A keen appreciation for literary criticism is a prerequisite for reader interest in this thoroughly researched and rigorously presented biography of one of the most honored and respected American writers of the twentieth century. Updike was the last of the Renaissance men, at home in all fields of writing. His novels and short stories dominate his canon, but poetry and literary and art criticism did not take backseats in terms of the intelligence and writerly skills he brought to such endeavors. Updike certainly was multidimensional, and his long life and distinguished career attest to an unwavering focus on achieving distinctiveness in his writing. To that end, he gathered as fodder the details of the environs in which he lived, namely Pennsylvania and Massachusetts, and all the subtleties of personality he could discern in the people who inhabited those locales with him, even close family members. It is Begley’s primary goal to stitch Updike’s writing to the realities of his existence. He does so meaningfully but too often intrusively, at the expense of a smoothly flowing pursuit of the events in Updike’s life. Nevertheless, this is an important view of a giant literary figure. High-Demand Backstory: A national media, radio, and print campaign and a social-networking campaign on Goodreads will be part of the publicity campaign to promote this major biography. --Brad Hooper

Review
''A brilliant biography. . . . A delightfully rich book. . . . Highly readable. . . . The joys of Updike are based on discovering the autobiographical content of the tens of thousands of details that populate Updike's vast fictional universe.'' (Orhan Pamuk, The New York Times Book Review)

''A superb achievement. . . . A book that, in its evocation of a brilliant but flawed personality, conjured via the skillful deployment of just-so details and a subtle hint of haunting existential grace, is in some ways as rewarding as Updike's best fiction.'' (Scott Stossel, The Boston Globe)

''A beautifully written, richly detailed, and warmly sympathetic portrait of a great American writer.'' (Joyce Carol Oates)

''Adam Begley's Updike is a model of what a literary biography should be: rich with penetrating insights not only about the life but also about the work. It will enthrall long-time Updike fans and help create generations of new ones.'' (Francine Prose)

''Adam Begley's brilliant evocation of our own literary giant should be required reading for Americans; Updike illumines a particular era with John Updike's own ferocity and tenderness.'' (Jayne Anne Phillips)

''Adam Begley's careful and considerate biography illuminates all the right things about Updike, whose dramas were lived both privately and publicly. It's a social history in which one man's heart, mind, and talent came to resonate for an entire society.'' (Ann Beattie)

'''You have to give it magic,' John Updike explained of the stuff on the page; Adam Begley has done him proud, offering up Updike the man and Updike the writer in an exuberant, stunningly choreographed pas de deux.'' (Stacy Schiff)

''Adam Begley tells the story of John Updike's life in art with brilliant tautness, as if he were writing a novel. He has rendered a portrait of the writer that shimmers with truth. This is literary biography at its highest level of excellence.'' (Janet Malcolm)

''On the evidence of this judicious new biography, John Updike recorded in his fiction the most painful events in his life. . . . Begley demonstrates that Updike was more complicated than the twinkly public persona he created for himself.'' (Robert Wilson, The American Scholar)

''Begley seamlessly weaves biography and critical analysis throughout his book, much as Updike himself blurred autobiography and fiction. Updike is a monumental treatment of a towering American writer.'' (The New York Observer)

''As a biographer, Begley has a great many strengths -- concision, eloquence, an eagle eye -- and few of the usual shortcomings.'' (The Wall Street Journal)

''Not only has Begley written a convincing interpretative biography, one characterized by suavity, wit, and independent judgment throughout, he has also produced a major work of Updike criticism. . . . Displaying total command of his material, Begley does his author proud.'' (Michael Dirda, The Washington Post)

''Honorable. . . . Updike's exquisite words flowed, some felt, too freely and too amiably. . . . It's one of the achievements of Begley's book that it so acutely demonstrates how it all, in fact, didn't come so easily. . . . Begley is a gifted literary critic.'' --(Dwight Garner, The New York Times)

''The two-time Pulitzer winner couldn't have hoped for a biography more respectful -- or more critically attuned to his work than this one. Updike is gracefully written. . . . It contains revealing tales about Updike's work habits and publishing relationships that haven't been told before.'' (The San Francisco Chronicle)

''An exemplary biography, oceanically researched, full of insights. . . . Begley is even-handed in his judgments and is a fine writer himself, his supple and cadenced prose sometimes matching his subject's.'' (The Sunday Times (London))

''An insightful, compelling, discreet, and admirable biography. . . . In synthesizing a substantial amount of material through clear, intelligent prose, Begley does what I never thought possible: he writes a biography I wished were longer.'' (The Christian Science Monitor)

''This is a generous tribute to an amusing and brilliant man. . . . Begley is a perceptive reader, illuminating the different alter egos who populate Updike s fiction.'' (The Financial Times)

''Though Adam Begley s biography is the first on the writer, it's hard to see how it will be bettered. Thoroughly researched, written with intelligence, sympathy, and grace, it is a model of first-rate literary biography. . . . A complex, intimate portrait.'' (Dan Cryer, Newsday)

''Adam Begley has written an exemplary biography. . . . Respectful and sympathetic. . . . Any Updike fan will find it rewarding, as indeed will anyone who has enjoyed his work and any reader with an interest in modern American letters.'' (The Guardian)

''Begley is so much in command of his subject. . . . He has located the man behind the giant oeuvre.'' (Sam Tanenhaus, Prospect)

''A master storyteller comes to affably charming life in Begley's incisive biography. . . . Begley finds the truest reflection of the man in his work.'' (Vogue)

''Fabulous. . . . Updike fans will enjoy Begley's marvelous biography, which is as much about the man as the writer.'' (Entertainment Weekly)

''Terrific. . . . Begley's book blends biography with a brilliant close read of Updike's work. . . . As insightful on the work as the life, it is a complicated and fascinating portrait of one of the great literary lives of the second half of the 20th century.'' (Salon)

''A hefty, thorough biography. . . . Begley does an impressive, conscientious job of marshaling evidence of Updike's many contradictions.'' (Jonathan Dee, Harper's)

''An insightful and meticulously researched book. . . . A sustained, very fine work of literary criticism.'' (The New Republic)

''A highly literate illumination of a supremely literate human being.'' (Louis Menand, The New Yorker)

''Begley is quiet, careful, self-effacing, and steady. . . . He amply shows us the strangeness and contradictions under the affable mask.'' (Hermione Lee, The New York Review of Books)

''A sympathetic and thorough biography. . . . The more I read about Updike, the more I wanted to go back and read Updike.'' --(USA Today)

Most helpful customer reviews

35 of 36 people found the following review helpful.
A Life-Long Ethnography of Himself
By not a natural
For those of us who do not read a lot of fiction and have little knowledge of the world of contemporary literature, Adam Begley's biography Updike is more accessible and interesting than one might expect. Even though Updike's work includes literally hundreds of titles -- novels, short stories, poems, exercises in criticism, edited collections, obituaries, tributes, and works that defy conventional categorization -- Begley provides the kind and level of coherence that even we relatively untutored readers can follow. In view of the sheer volume of Updike's prose and poetry, Begley's ability to loosely but interpretably tie things together thematically and stylistically is very helpful, providing encouragement and generating interest in reading Updike's work, whether systematically or in a catch-as-catch-can manner.

Following Begley, Updike's writing, with occasional exceptions, might usefully be characterized as a long-term ethnography of himself. Whatever he was doing, from having sex to planting a vegetable garden to putting up storm windows, Updike maintained an essential detachment, enabling him to observe himself and how he felt even when fully engaged in the activity at hand. Whether his tasks were exotic, mundane, dully commonplace, or fraught with a disparate multitude of other feeling and ideas, he retained his role as an observer.

This same capacity for non-stop observation and internal documentation enabled Updike to become keenly adept at describing his physical environment in remarkably fine detail. A cup and saucer, the leaf of a sugar maple in autumn, the unnerving grinding of gears that fail to mesh when a standard transmission is being used by a beginning driver -- an abundance of sights and sounds that provided a richly detailed context for whatever Updike was writing about. One might reasonably maintain that Updike lived so that he could write, never really unselfconscious, and always on the self-centered alert. Perhaps this is why he said that he sometimes couldn't disentangle what he had written from what he had actually lived.

That so much of his work is set in his hometown of Shillington and later in the farmhouse in Plowville, places where he lived out his boyhood and adolescence, reinforces the notion that his unfailing self-awareness was not something Updike deliberately sought to develop. Instead, it was an innate capability, something that was there from the beginning and that he never lost. He took it for granted as it helped make him the writer he wanted to be.

This sort of tightly focused self-awareness and attention to accurate rendering of everyday details is by no means an unmixed blessing, nor it is something that all writers want or admire. Critics sometimes found his work, the entire oeuvre as it existed at any time, entirely too autobiographical. When he married and moved to suburban Ipswitch, he inevitably took the self-aware, autobiographical approach with him. In the early '60's when he wrote Couples, another novel about ordinary people, self-centered and deeply immersed in the then startlingly lurid bed-hopping that constituted a substantial part of their everyday lives, he was still an ethnographer, a participant-observer, studying himself as closely as he studied his friends and neighbors.

Begley devotes an entire chapter to couples, writing for the most part about the short story that preceded the full-length novel. For one who read Couples at the time it was first published, it's a bit disconcerting to read about Tarbox (Ipswitch) and its obsessively adulterous sex without reference to the novel's protagonist and premier sexual athlete, Piet Hanema. Couples was a literary sensation whose influence spilled over into popular magazines such as Time and Newsweek. I recall reading a brief news-magazine interview with Updike in which he was asked the obvious: was his portrayal of the lasciviousness of his friends and neighbors an accurate rendering of life in Ipswitch. Coyly, he acknowledged that it was unlikely that thirty-something couples could be as actively and intensely engaged as the Ipswitch crowd without giving rise to something more intense than volleyball and touch football. According to Begley, however, this disingenuous response thoroughly understated Updike's real-life philandering as well as that of his wife and the rest of the Ipswitch group.

I think that Couples can reasonably be read as an explanation for the disaffection of youth that went beyond the civil rights and anti-war movements. The lives of upper middle class suburbanites may have been filled with sexual adventurism, but otherwise they seemed meaningless, as if the sex and incessant group socializing were part of a desperate effort to fill a purposeless void. Whether or not that is the case, this is another instance in which Updike used his powers of detached observation and interpretation to tell us still more about the lives of ordinary Americans, which I take to be the over-riding purpose of his work, prolific as he was.

I think Updike was keenly attuned to the idea that life in the U.S. was, for many ordinary citizens, an often fruitless and failed search for meaning and purpose, and this was manifest in Updike's own uncertain and uneasy adherence to an amorphous sort of Christian faith, as well as his intellectually unfashionable patriotism. My conjectures, however, are based on the little that I've read by Updike and on Begley's detailed biography. For readers whose knowledge of Updike's work is as limited as mine, Begley's book may best be construed as an invitation to read more of Updike. I'm going to start with the Rabbit tetralogy, and see if it, too, describes and unrelenting search for something solid and substantial to hold on to, maybe a Toyota dealership construed as something more.

61 of 67 people found the following review helpful.
This bio is filled with very interesting and informative information
By Israel Drazin
This is an easy to read, very detailed, sympathetic, and insightful biography of Updike’s life and an explanation of his writings. Begley drew upon extensive interviews, including talks with Updike’s mother, friends and acquaintances, and meticulous examinations of much archival material. Despite details, it is not at all ponderous. To the contrary, the book is interesting, enlightening, and enjoyable.
Begley tells about Updike’s early years in Berks County during the depression, how he wanted to be a cartoonist, how his mother was the strong figure in his family and overrode his wishes and those of his father. She was also a writer, although not successful. She was certain that her son would be a great writer and therefore took him, against his wishes, to a somewhat secluded farm. Begley describes Updike’s strange relationship with his parents and how he depicted them in his writings in a somewhat negative fashion, although his parents admitted that he described them correctly.
Begley tells about Updike’s escape from his parents as soon as he was able to drive, his life in Harvard, and his years at The New Yorker, which rejected many of his early writings, for writing for The New Yorker was his early life-time goal. He also tells about his foreign travels and his final home where he remained until he died in 2009.
Most interesting is Begley’s examination of Updike’s stories and his revelation that many incidences are based with very little disguise on Updike’s life, and on his description of Updike, revealing that he was not precisely what he appeared to be.
Readers will find much that will interest them in this bio and will learn much about this famous author.

25 of 28 people found the following review helpful.
A GRACEFUL AND INSIGHTFUL BIOGRAPHY OF THE WRITER AS MEMORY ARTIST
By David Keymer
There are occasional passages (e.g., in the chapter “The Two Iseults”) that read like a fast-paced motor tour of Updike’s stories –hey! hop, skip, it’s time to move on to the next story-- but for the most part, Begley is a sympathetic reader who uses the blatantly autobiographical material of Updike’s corpus to dig into the writer’s complicated inner life and its connection with his fiction, poetry and prose. The book is peppered with sympathetic insights into Updike’s life and literary corpus and Begley, former book editor for the New York Observer (1996-2009) writes like a dream.

In a famous address, Updike once said that his fiction pledged allegiance “to the mild, middling truth of American life” but as a writer, he was seldom if ever middling. Dismissed by some critics as too much a miniaturist and memory artist, Updike yet managed to pull off one of the great literary coups of modern times with his magnificent Rabbit Angstrom tetralogy. If he had written nothing else I suspect we’d be reading him for quite a long while but he was prolific writer (sixty-four published volumes in his lifetime!). It would be hard to better Begley’s biography of the artist. It is both graceful (grace-filled) and insightful.

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Selasa, 29 September 2015

~~ Ebook The Mayor of MacDougal Street [2013 edition]: A Memoir, by Dave Van Ronk

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The Mayor of MacDougal Street [2013 edition]: A Memoir, by Dave Van Ronk

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The Mayor of MacDougal Street [2013 edition]: A Memoir, by Dave Van Ronk

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The Mayor of MacDougal Street [2013 edition]: A Memoir, by Dave Van Ronk

Dave van ronk (1936-2002) was not only one of the founding figures of the 1960s folk music revival; he was a pioneer of modern acoustic blues, a fine songwriter and arranger, a powerful singer, and one of the most influential guitarists of his era. He was also a marvelous storyteller, a peerless musical historian, and one of the most quotable figures in The Village.

The Mayor of MacDougal Street is a unique firsthand account of the sixties folk scene that includes encounters with young stars-to-be like Bob Dylan and Joni Mitchell and older luminaries like Woody Guthrie and Odetta. Colorful, hilarious, and engaging, The Mayor of MacDougal Street will appeal not only to folk and blues fans but also to anyone interested in the music, politics, and spirit of a revolutionary period in American culture.

  • Sales Rank: #63447 in eBooks
  • Published on: 2013-10-15
  • Released on: 2013-10-15
  • Format: Kindle eBook

Review
Praise for The Mayor of MacDougal Street

NewYorker.com, 9/30/13
“[A] wonderful memoir.”

Slate, 12/2/13
“Your best guide when it comes to Inside Llewyn Davis—apart from what follows, of course—is Van Ronk’s posthumous memoir, The Mayor of MacDougal Street.”

New York Times, 11/30/13
“[A] sharp cantankerous memoir.”

The Culture Trip, 4/1/16
“Gives the play-by-play for a musical movement that was humble in origin, but huge in populous fervor. Woody Guthrie; Joan Baez; Pete Seeger; Richie Havens; Bob Dylan, Peter, Paul and Mary; plus dozens more, they all live and breathe within these pages…One of folk’s unsung heroes, Van Ronk mixes poetry and revolution, rolled into a posthumously released autobiography as much a history of the Village, and the folk venues that made it famous, as the life story of its ‘Mayor.’”

About the Author
In the course of his forty-year career, Dave Van Ronk recorded more than two dozen albums, toured on four continents, was nominated for two Grammys, and received an ASCAP Lifetime Achievement Award.

Coauthor Elijah Wald wrote the acclaimed study of the myth, music, and life of blues legend Robert Johnson, Escaping the Delta. He also wrote the biography Josh White: Society Blues as well as Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerrillas. A musician and journalist, he lives in Cambridge, Massachusetts.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book on a time and place
By Drew Sullivan
Dave Van Ronk was an American original who is still an interesting listen but a good read as well. It's the best context I have read on Greenwhich Village in the late 50s.

0 of 0 people found the following review helpful.
Five Stars
By nancy Riker
Interesting!

15 of 15 people found the following review helpful.
It far exceeded my expectations
By John Jay
I knew that I would be interested in Van Ronk's memoir just because of its subject matter: the folk music revival and the Greenwich Village scene that produced Bob Dylan and other famous musicians. What I didn't expect was that Dave Van Ronk and his co-author would write a book that is both witty and deep in its analysis of both musical and social trends of the 1950s and 1960s. Van Ronk's views on the folk music scene and American society deserve serious attention, and some of his escapades such as going to California in a drive-away car had me laughing out loud.

Van Ronk did not become a star like the people who he wrote about but, in the end, he was more than satisfied with having been able to live his life as a professional musician, and I was more than satisfied with reading his entertaining account.

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## PDF Download Clinical Trial Design: Bayesian and Frequentist Adaptive Methods, by Guosheng Yin

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Clinical Trial Design: Bayesian and Frequentist Adaptive Methods, by Guosheng Yin

A balanced treatment of the theories, methodologies, and design issues involved in clinical trials using statistical methods

There has been enormous interest and development in Bayesian adaptive designs, especially for early phases of clinical trials. However, for phase III trials, frequentist methods still play a dominant role through controlling type I and type II errors in the hypothesis testing framework. From practical perspectives, Clinical Trial Design: Bayesian and Frequentist Adaptive Methods provides comprehensive coverage of both Bayesian and frequentist approaches to all phases of clinical trial design. Before underpinning various adaptive methods, the book establishes an overview of the fundamentals of clinical trials as well as a comparison of Bayesian and frequentist statistics.

Recognizing that clinical trial design is one of the most important and useful skills in the pharmaceutical industry, this book provides detailed discussions on a variety of statistical designs, their properties, and operating characteristics for phase I, II, and III clinical trials as well as an introduction to phase IV trials. Many practical issues and challenges arising in clinical trials are addressed. Additional topics of coverage include:

  • Risk and benefit analysis for toxicity and efficacy trade-offs

  • Bayesian predictive probability trial monitoring

  • Bayesian adaptive randomization

  • Late onset toxicity and response

  • Dose finding in drug combination trials

  • Targeted therapy designs

The author utilizes cutting-edge clinical trial designs and statistical methods that have been employed at the world's leading medical centers as well as in the pharmaceutical industry. The software used throughout the book is freely available on the book's related website, equipping readers with the necessary tools for designing clinical trials.

Clinical Trial Design is an excellent book for courses on the topic at the graduate level. The book also serves as a valuable reference for statisticians and biostatisticians in the pharmaceutical industry as well as for researchers and practitioners who design, conduct, and monitor clinical trials in their everyday work.

  • Sales Rank: #2202141 in eBooks
  • Published on: 2013-06-07
  • Released on: 2013-06-07
  • Format: Kindle eBook

Review

“In summary, this book is useful for anyone interested in design and analysis of clinical studies. The main strengths of this book are the well-balanced approach between statistical theories and statistical analysis methods of the design issues involved in clinical trials. I would suggest the usage of this book as a Master’s level course in biostatistics.”  (Journal of Biopharmaceutical Statistics, 1 May 2013)

“The author should be commended; the text is well written and packed with information that belies the book’s trim size."  (Drug Information Journal, 30 October 2012)

“The book accompanied with software developed at MD Anderson Cancer Center provides an excellent reference for everyone who works in clinical trial field.”  (Biometrics, 1 July 2012)

From the Back Cover

A balanced treatment of the theories, methodologies, and design issues involved in clinical trials using statistical methods

There has been enormous interest and development in Bayesian adaptive designs, especially for early phases of clinical trials. However, for phase III trials, frequentist methods still play a dominant role through controlling type I and type II errors in the hypothesis testing framework. From practical perspectives, Clinical Trial Design: Bayesian and Frequentist Adaptive Methods provides comprehensive coverage of both Bayesian and frequentist approaches to all phases of clinical trial design. Before underpinning various adaptive methods, the book establishes an overview of the fundamentals of clinical trials as well as a comparison of Bayesian and frequentist statistics.

Recognizing that clinical trial design is one of the most important and useful skills in the pharmaceutical industry, this book provides detailed discussions on a variety of statistical designs, their properties, and operating characteristics for phase I, II, and III clinical trials as well as an introduction to phase IV trials. Many practical issues and challenges arising in clinical trials are addressed. Additional topics of coverage include:

  • Risk and benefit analysis for toxicity and efficacy trade-offs

  • Bayesian predictive probability trial monitoring

  • Bayesian adaptive randomization

  • Late onset toxicity and response

  • Dose finding in drug combination trials

  • Targeted therapy designs

The author utilizes cutting-edge clinical trial designs and statistical methods that have been employed at the world's leading medical centers as well as in the pharmaceutical industry. The software used throughout the book is freely available on the book's related website, equipping readers with the necessary tools for designing clinical trials.

Clinical Trial Design is an excellent book for courses on the topic at the graduate level. The book also serves as a valuable reference for statisticians and biostatisticians in the pharmaceutical industry as well as for researchers and practitioners who design, conduct, and monitor clinical trials in their everyday work.

About the Author

GUOSHENG YIN, PhD, is Associate Professor in the Department of Statistics and Actuarial Science at The University of Hong Kong, and Adjunct Associate Professor in the Department of Biostatistics at The University of Texas MD Anderson Cancer Center.

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Senin, 28 September 2015

? Get Free Ebook Hannah Arendt: The Last Interview: And Other Conversations (The Last Interview Series), by Hannah Arendt

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Hannah Arendt: The Last Interview: And Other Conversations (The Last Interview Series), by Hannah Arendt

Arendt was one of the most important thinkers of her time, famous for her idea of "the banality of evil" which continues to provoke debate. This collection provides new and startling insight into Arendt's thoughts about Watergate and the nature of American politics, about totalitarianism and history, and her own experiences as an émigré.

Hannah Arendt: The Last Interview and Other Conversations is an extraordinary portrait of one of the twentieth century's boldest and most original thinkers. As well as Arendt's last interview with French journalist Roger Errera, the volume features an important interview from the early 60s with German journalist Gunter Gaus, in which the two discuss Arendt's childhood and her
escape from Europe, and a conversation with acclaimed historian of the Nazi period, Joachim Fest, as well as other exchanges.

These interviews show Arendt in vigorous intellectual form, taking up the issues of her day with energy and wit. She offers comments on the nature of American politics, on Watergate and the Pentagon Papers, on Israel; remembers her youth and her early experience of anti-Semitism, and then the swift rise of the Hitler; debates questions of state power and discusses her own processes of thinking and writing. Hers is an intelligence that never rests, that demands always of her interlocutors, and her readers, that they think critically. As she puts it in her last interview, just six months before her death at the age of 69, "there are no dangerous thoughts, for the simple reason that thinking itself is such a dangerous enterprise."

  • Sales Rank: #804101 in eBooks
  • Published on: 2013-12-03
  • Released on: 2013-12-03
  • Format: Kindle eBook

Review
"We are still living in Hannah Arendt's world... It is hard to name a thinker of the twentieth century more sought after as a guide to the dilemmas of the twenty-first." —Adam Kirsch,The New Yorker

“The combination of tremendous intellectual power with great common sense makes Miss Arendt’s insight into history and politics seem both amazing and obvious.” —Mary McCarthy

“[Arendt] took responsibility for observing the inhuman uses of power and for summoning her generation to judgment and action.” —Samantha Power, The New York Review of Books

About the Author
HANNAH ARENDT (1906-1975) was one of the foremost political philosophers of the twentieth century. She fled Europe for the United States in 1941 and spent her career as a professor at a number of American universities, including the New School for Social Research and University of Chicago. She is best known for her books The Origins of Totalitarianism and Eichmann in Jerusalem.

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14 of 14 people found the following review helpful.
Be warned
By Michael McKinney
This is hardly a worth-while collection from the work of this brilliant thinker -- especially at the price. The book is 133 pages and of the 4 interviews, the first, from 1964, is important but can be found in "The Portable Hannah Arendt". The second, also from 1964, is a brief rehash of the Eichmann affair that falls far short of Arendt's responses included in the "Portable". The third, dated 1970, is a thoughtful review of the left-wing, especially American, political scene at the time, and its 36 pages provide the only reason for buying this book. The fourth, from 1973, is an embarrassment to the editors. It's a bizarrely truncated "reconstruction" of Arendt's responses to a television interview conducted in French, which, between the editing and original (translated) level of questioning, left Ms. Arendt with little to say -- sadly discourteous for a last interview.

1 of 1 people found the following review helpful.
Not her best but interesting
By Peter E. Schrag
Not her best but interesting. She had an incisive and original mind and tried to explain and come to terms with the major problem of her era. The link between Fascism, antisemitism, economic depression, and unemployment is hopefully a bygone constellation of horrors but Primo Levi said, It happened and therefore it can happen again. So Hannah Arendt is worth paying attention to. Peter E. Schrag

2 of 2 people found the following review helpful.
Calm, reflective, introspective, rational insights into the important issues.
By Peter S. Bradley
This is a collection of interviews with Hannah Arendt spanning the period from approximately 1964 to 1973. The interviews cover the controversy over Arendt's "Eichman in Jerusalem," her other works, the student protest movement, freedom, history, Watergate, an obscure reference to her relationship with Martin Heidegger, and even a term not heard of since 1976, the "credibility gap." Throughout it all, Arendt presents herself as a thoughtful and wise person.

Arendt offers some insights into her view of her own work. For example, she didn't consider herself a "philosopher" because that seemed to be too masculine an occupation for her:

//ARENDT: I am afraid I have to protest. I do not belong to the circle of philosophers. My profession, if one can even speak of it at all, is political theory. I neither feel like a philosopher, nor do I believe that I have been accepted in the circle of philosophers, as you so kindly suppose. But to speak of the other question that you raised in your opening remarks: you say that philosophy is generally thought to be a masculine occupation. It does not have to remain a masculine occupation! It is entirely possible that a woman will one day be a philosopher  …*//

Arendt, Hannah (2013-12-03). Hannah Arendt: The Last Interview: And Other Conversations (Kindle Locations 52-56). Melville House. Kindle Edition.

To us, in this day and age, this sounds so very "quaint."

Arendt considered herself a "political theorist," albeit I think she was far too modest.

A fascinating feature of these interviews is that they provide an access to Arendt's experience of history, which is so very different from our experience. For example, for anyone living today, the idea that there was a time when we didn't know about Auschwitz is easy to forget, and with it the difference between the shock of 1933 and the shock of 1943:

//ARENDT: Yes, very frequently. I have seen it in people as a result of shock. You know, what was decisive was not the year 1933, at least not for me. What was decisive was the day we learned about Auschwitz.

GAUS: When was that?

ARENDT: That was in 1943. And at first we didn’t believe it— although my husband and I always said that we expected anything from that bunch. But we didn’t believe this because militarily it was unnecessary and uncalled for. My husband is a former military historian, he understands something about these matters. He said don’t be gullible, don’t take these stories at face value. They can’t go that far! And then a half year later we believed it after all, because we had the proof. That was the real shock. Before that we said: Well, one has enemies. That is entirely natural. Why shouldn’t a people have enemies? But this was different. It was really as if an abyss had opened. Because we had the idea that amends could somehow be made for everything else, as amends can be made for just about everything at some point in politics. But not for this. This ought not to have happened. And I don’t mean just the number of victims. I mean the method, the fabrication of corpses and so on— I don’t need to go into that. This should not have happened. Something happened there to which we cannot reconcile ourselves. None of us ever can. About everything else that happened I have to say that it was sometimes rather difficult: we were very poor, we were hunted down, we had to flee, by hook or by crook we somehow had to get through, and whatever. That’s how it was. But we were young. I even had a little fun with it— I can’t deny it. But not this. This was something completely different. Personally I could accept everything else.

Arendt, Hannah (2013-12-03). Hannah Arendt: The Last Interview: And Other Conversations (Kindle Locations 291-305). Melville House. Kindle Edition.

Likewise, consider Arendt's experience of the Nazi's in 1933:

//ARENDT: Yes. I was found out. I was very lucky. I got out after eight days because I made friends with the official who arrested me. He was a charming fellow! He’d been promoted from the criminal police to a political division. He had no idea what to do. What was he supposed to do? He kept saying to me, “Ordinarily I have someone there in front of me, and I just check the file, and I know what’s going on. But what shall I do with you?”

GAUS: That was in Berlin?

ARENDT: That was in Berlin. Unfortunately, I had to lie to him. I couldn’t let the organization be exposed. I told him tall tales, and he kept saying, “I got you in here. I shall get you out again. Don’t get a lawyer! Jews don’t have any money now. Save your money!” Meanwhile the organization had gotten me a lawyer. Through members, of course. And I sent this lawyer away. Because this man who arrested me had such an open, decent face. I relied on him and thought that here was a much better chance than with some lawyer who himself was afraid.

GAUS: And you got out and could leave Germany?

ARENDT: I got out, but had to cross the border illegally  …   my name had not been cleared.

Arendt, Hannah (2013-12-03). Hannah Arendt: The Last Interview: And Other Conversations (Kindle Locations 135-146). Melville House. Kindle Edition.

What an amazing experience, and how odd to think of a Jew trusting a Nazi because he had an "open, decent face."

The experience of betrayal by the academic community - and, although she doesn't name him, presumably Martin Heidegger - created a pragmatic view about intellectuals:

//GAUS: You mean that the shock in 1933 came from the fact that events went from the generally political to the personal?

ARENDT: Not even that. Or, that too. First of all, the generally political became a personal fate when one emigrated. Second  …   friends “coordinated” or got in line. The problem, the personal problem, was not what our enemies did but what our friends did. In the wave of Gleichschaltung (coordination),‖ which was relatively voluntary— in any case, not yet under the pressure of terror— it was as if an empty space formed around one. I lived in an intellectual milieu, but I also knew other people. And among intellectuals Gleichschaltung was the rule, so to speak. But not among the others. And I never forgot that. I left Germany dominated by the idea— of course somewhat exaggerated: Never again! I shall never again get involved in any kind of intellectual business. I want nothing to do with that lot. Also I didn’t believe then that Jews and German Jewish intellectuals would have acted any differently had their own circumstances been different. That was not my opinion. I thought that it had to do with this profession, with being an intellectual. I am speaking in the past tense. Today I know more about it  …

GAUS: I was just about to ask you if you still believe that.

ARENDT: No longer to the same degree. But I still think that it belongs to the essence of being an intellectual that one fabricates ideas about everything. No one ever blamed someone if he “coordinated” because he had to take care of his wife or child. The worst thing was that some people really believed in Nazism! For a short time, many for a very short time. But that means that they made up ideas about Hitler, in part terrifically interesting things! Completely fantastic and interesting and complicated things! Things far above the ordinary level! I found that grotesque. Today I would say that they were trapped by their own ideas. That is what happened. But then, at that time, I didn’t see it so clearly.

Arendt, Hannah (2013-12-03). Hannah Arendt: The Last Interview: And Other Conversations (Kindle Locations 238-255). Melville House. Kindle Edition.

Arendt offers some keen insights into freedom and totalitarianism which are still pertinent today, although perhaps not as much as they were in the 1960s and 1970s.

This book is an easy read and quite refreshing in terms of its unhurried, deeply reflective, rationality.

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Senin, 21 September 2015

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D-Day: Juno Beach, Canada's 24 Hours of Destiny, by Lance Goddard

Many have called it the most important event of the twentieth century - and Canada played a key role. When Canadian troops landed at Juno Beach, they faced some of the fiercest opposition of the attack, and yet they managed to advance further inland than all the other Allied forces. D-Day: Juno Beach, Canada’s 24 Hours of Destiny chronicles that momentous day hour-by-hour, through the words of the men themselves. With more than 300 illustrations, this is a vivid remembrance of one of Canada’s greatest military achievements.

  • Sales Rank: #3116729 in eBooks
  • Published on: 2004-03-01
  • Released on: 2004-03-01
  • Format: Kindle eBook

Review

"This is another must read. By the time I had finished Juno Beach - Canada's 24 hours of Destiny, I was dumping sand out of my shoes."

Frank Paulter, Medicine Hat News Book Club, June 4, 2004.



"Goddard has done an admirable job in giving the people who actually did the fighting an opportunity to speak for themselves. Canadians need to hear their stories. As well as being a must-buy for every Canadian home, D-Day: Canada's 24 Hours of Destiny should be required reading in every high-school."

-BGen James Cox, FrontLine Magazine, August 2004



"[A] glowing tribute to those who sacrificed life and soul in liberating a country from tyranny."

Shelf Life, September 2004



"

"It's a fascinating book full of photos and it tells in detail the sacrifices made by the many young Canadian soldiers."

(Renfrew Mercury)

From the Inside Flap
A vivid remembrance of one of Canada's greatest military achievements.

About the Author

Lance Goddard has worked in television for nearly twenty years. His documentary, Victory from Above, aired in 2002, and became a best-selling video release. D-Day: Juno Beach, Canada's 24 Hours of Destiny is his first book, and will also be a TV documentary that will air on the sixtieth anniversary of D-Day.

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0 of 0 people found the following review helpful.
Should have hired a ghost writer
By Michael A Dorosh
Compared to a book like Tim Saunders' JUNO BEACH, this book falls well short of the mark in presenting a detailed description of the events that took place on the Canadian invasion beaches during the invasion of Normandy on June 6th, 1944. Despite the book's length and the number of photographs, as well as the celebrity endorsement by the well known Major General Rohmer, the book simply fails to deliver. The photographs are all well known by now and can be found in other sources, including, many of them, for free online at the Library and Archives Canada website. The maps in the book are almost non-existent, save for a crude map that is repeated with hourly updates on the progress of the troops; it is poorly drawn and hard to relate to the material in the text, which jumps from personal anecdote to broad strategy and back again.

The book's introduction states it is intended as a companion to a television series; perhaps as such it is not intended to be taken seriously. I don't think companion books need to be relegated to simple supporting roles; Gwynne Dyer's "War" was an outstanding volume in its own right. This book doesn't even make an attempt to be taken seriously. Certainly the introduction gives no good account of itself off the bat, by insisting that "D-Day" was the - and I quote - "single most important experience of the twentieth century." Whatever that means. He follows up this baldly ridiculous statement by suggesting the Nazi's actions "were evil, their intent vicious." This kind of silly writing peppers the text throughout, though luckily the words of the veterans themselves are allowed to predominate, so it is not all bad. But other than that, there is little to recommend about this.

Definitely seek out Tim Saunders' book if you are looking for nuts and bolts info about the invasion itself, or seek out Ted Barris first for the experiences of the veterans.

0 of 1 people found the following review helpful.
Excellent
By Lawrence Hobbs
I was delighted to read this marvellous companion to the television programme. Lance Goddard's book provides a fascinating perspective of Canada's involvement in the D-Day landings at the level of the individual participants.

With hourly, almost blow-by-blow, accounts from veterans who survived the battle, Mr. Goddard's book brings the invasion to life in a way that no dry third-person narrative could. The voices of these soldiers, sailors and airmen quietly demonstrate a pragmatic heroism with combined humility and pride. Indeed there seems a common thread of comrades doing a job that just had to get done.

Numerous photographs and evolving beachhead maps effectively support the narrative and bring to life concepts like tanks that swim and thousands of virtually worthless bicycles.

Together, in words and images, this book provides a rich Canadian view of D-Day that should be of equal interest to non-Canadians. As these elderly veterans are finally defeated by General Time this book will help later generations remember the essential sacrifices they, and their friends still in Normandy, made to defeat the Nazis.

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Minggu, 20 September 2015

? Free Ebook Sunset Song (A Scots Quair), by Lewis Grassic Gibbon

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Sunset Song (A Scots Quair), by Lewis Grassic Gibbon

Faced with a choice between her harsh farming life and the seductive but distant world of books and learning, Chris Guthrie eventually decides to remain in her rural community, bound by her intense love of the land. However, the intervention of the First World War leaves her choice in tatters. Chris is now a widowed single mother: her farm, and the land it occupies, is altered beyond recognition - trees torn down, people displaced. But although the novel describes a way of life which is in decline, it also presents a strong image of hope. Chris adapts to her new world, displaying an intuitive strength which, like the land which she loves, endures despite everything. "Sunset Song" is a testament to Scotland's agricultural past, to the world of crofters and tradition which was destroyed in the First World War. It is a powerful description of life in the first few decades of the century through the evocation of change and the lyrical intensity of its prose. Renowned expert Ian Campbell has produced the first new scholarly text for fifteen years and has the blessing of the Lewis Grassic Gibbon estate.

  • Sales Rank: #56680 in eBooks
  • Published on: 2013-06-15
  • Released on: 2013-06-15
  • Format: Kindle eBook

Review
'Chris Guthrie is the most passionate and appealing heroine in Scottish literature; Grassic Gibbon's magnificent novel is fresh, powerful and timeless.' - Anne Donovan 'Its great gripping hybrid of melodrama and realism has left me scorched' - Ali Smith

About the Author
Lewis Grassic Gibbon (James Leslie Mitchell) was one of the finest writers of the twentieth century. Born in Aberdeenshire in 1901, he died at the age of thirty-four. He was a prolific writer of novels, short stories, essays and science fiction, and his writing reflected his wide interest in religion, archaeology, history, politics and science. The Mearns trilogy, A Scots Quair, is his most renowned work, and has become a landmark in Scottish literature.

Most helpful customer reviews

24 of 24 people found the following review helpful.
writing at its best
By Robbie
How can I write a review to do this justice? For truly if ever there was a book written by the hand of God this is it. Writing so beautiful it'll make your heartstrings quiver. Yet I hear the detractor, the philistine, "It's verbose and boring". No, no, no! They simply do not have the ability to appreciate that which is fine, give it a chance. It may take you a while to get used to its rhythm and cadence, but please it is worth it.
The early stages perfectly set the scene for what is to follow, as we delve into the lives of the crofter folk, circa Scotland 1914. Religion and hard graft to the fore Gibbon gives you a tangible sense of place, the soil in your hands and the wind in your hair, so specific and accurate he is with words. And yet the story flows, never to my mind spending over long describing that which does not matter, never far from the narrative of the changing Chris Guthrie, who despite all others evolves a deepening sense of self, aware of lifes limitations but never completely bound by them, though her love of the land at times holds sway. It is this sense of self that is threatened with the outbreak of war, and truly, well into the book by now, the full force and effect of the books early stages comes into play. You've fallen in love with Kinraddie,the setting, its days and ways, its rich and varied characters, the land, the times, far removed from modern living, seeing as Chris does virtue in their lives, and...well, I'll not ruin it for you.
Do not let my enthusiasm put you off. Do not let this limited review put you off. Please read this book. Its Scottishness does not detract from the glory of it, but adds, greatly, to the world of literature. Indeed may Gibbon be known world-wide for truly he is, in this book at least, in league with the greatest.

17 of 17 people found the following review helpful.
Singing a song of Scotland
By Professor Debi Sheridan
This book is the greatest of its time and endures as a seminal piece of literature. A song should be sung and this song should be read aloud, not intoned inside the dim recesses of the mind. Chris faces no issue which is not relevant today, from incest and spousal abuse, to the horrors and tragedies of war, to the chave and ecstasies of life. It is appealing to all ages, but must be approached with a mind open to diversity and multicultural exchange if the magic is to work. My children have all loved this book, even the non-readers amongst them. While the pages breathe with the life of North-East of Scotland, the characters are found the world over.
Feast upon the words and you will be filled.

11 of 11 people found the following review helpful.
Language as music
By vtam
I don't even know where to start on this one.

Look, if you've got a tin ear, short attention span, are raised on video games, and don't want challenges to your own experience, curl up to a Stephen King and a Bud on the vinyl lounge chair on the patio and be happy. But for heaven's sake don't crack these pages. You'll just suck air into the R-complex, and you'll have to purge it.

On the other hand, if you want to do the rad in lingo, strap yourself into another more advanced mind, Mr. Gibbon's for instance, and struggle up through the depths where most of us crab around sideways mouthing syllables, and claw your way up into the sublime.

To the place where language and music merge with life. The place of tragedy and joy. To the world not your own. The evocation of a lost time and place and culture. A lost quality of light. Savagery. Humility. Humor. Perseverance. The coming of age of a young woman. Danger. This. This work of high art. The gift of another.

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!! PDF Download Sea of Shadows (Age of Legends Trilogy Book 1), by Kelley Armstrong

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Sea of Shadows (Age of Legends Trilogy Book 1), by Kelley Armstrong

Kelley Armstrong, #1 New York Times bestselling author, takes an exciting new direction with this big, breathtaking blend of fantasy, romance, horror, and pulse-pounding action, perfect for fans of Graceling and Game of Thrones.

Twin sisters Moria and Ashyn were marked at birth to become the Keeper and the Seeker of Edgewood, beginning with their sixteenth birthday. Trained in fighting and in the secret rites of the spirits, they lead an annual trip into the Forest of the Dead. There, the veil between the living world and the beyond is thinnest, and the girls pay respect to the spirits who have passed.

But this year, their trip goes dreadfully wrong.

With all the heart-stopping romance and action that have made her a #1 New York Times bestselling author, and set in an unforgettably rich and dangerous world, this first epic book in the Age of Legends trilogy will appeal to Kelley Armstrong's legions of fans around the world and win her many new ones.

  • Sales Rank: #162759 in eBooks
  • Published on: 2014-04-08
  • Released on: 2014-04-08
  • Format: Kindle eBook

Amazon.com Review
A NOTE FROM KELLEY ARMSTRONG

Speaking at a high school the other day, I was asked if there’s any genre I’d like to write but find too intimidating. The answer is absolutely—historical fiction. I love reading it, but I’ve never written more than a short story in the genre because it takes me forever even to do that. I’ll read several books for period research, then I’ll sample maybe a half-dozen more. After my story is written, I’ll scour it for words and phrases that might be too contemporary and check online to see when they entered our vocabulary. I’ll also check every item I reference to be sure it was available at the time. Finally, I’ll double-check all my historical references. That’s a lot of work for a ten-page story! And even then I’ll stress over it and worry that someone will come back and point out where I went wrong.

Sea of Shadows was the perfect “cheat” for a storyteller who loves history but is too chicken to write a historical novel.

Epic fantasy allows the writer to pick a time period, do the research, and weave in all those fascinating historical details, while not being confined by that history because it’s fantasy. The world is based on a period rather than actually being set in it. Sea of Shadows is based on medieval Japan. Well, that’s what I say, but technically it’s classical Japan, during the Heian period, right on the cusp of medieval Japan (which was actually feudal rather than imperial, as the shoguns took power and the emperors were reduced to figureheads). But when I say medieval Japan, people think “samurai” period, which is correct for my novel, so I stick to that.

Japanese culture permeates Sea of Shadows, but I suspect there will be readers who finish the book without ever realizing that was my inspiration.

There are a few reasons for that. One, because it is fantasy, I didn’t need to stick to my chosen period. If something from the Heian period didn’t work, I borrowed from another era. Or I borrowed from a different culture altogether. The clothing, for example, is a mix of East and West, because historical Japanese fashion reflected the climate, which I wasn’t using. Two, because I’m aiming at a largely Western market, I use mostly Westernized names and English words. So you get first names like Tyrus and Gavril, but Japanese clan names like Tatsu (dragon) and Kitsune (nine-tailed fox). You also get words like sword instead of katana, warrior instead of samurai, and warlord instead of shogun, while the underlying concept is Japanese—for example, the sword descriptions match a katana rather than a medieval European blade. If you’re looking for the Japanese influence in Sea of Shadows, you need to dig below the surface. The caste system is Japanese. The warrior code is samurai-based, as are the dual swords and the armor. The houses vary from place to place, some being more Western than Eastern, but you’ll notice my characters sleep on pallets instead of beds, sit on cushions instead of chairs, and eat rice instead of bread. You’ll also see the influence in the religious and spiritual side, which is largely based on Shintoism, though I mingled in a few others. The cultural emphasis on family, the ancestors, and filial piety is clearly Japanese. And anyone who has ever seen a Japanese horror movie will recognize the distinctive style of vengeful and angry spirits in Sea of Shadows. The research for Sea of Shadows was some of the most intense I’ve ever done, and yet I know that many readers may not even pick up on the Japanese influence. And that’s okay with me, because it tells me I’ve accomplished my mission, which is to play in a historical period and use it to tell a story without beating readers over the head with my research. But if you want to know more, just ask me. I’ll be more than happy to pull back the curtain and point out the inner workings of a world I love!


From School Library Journal
Gr 9 Up—Twins are exceedingly rare and often destined for brutal death in the Empire. Luckily, 17-year-old Moria and Ashyn have sacred powers and are revered instead. Fierce, knife-wielding Moria, along with the help of her spirit beast (a large catlike creature named Daigo), is the "Keeper"—guardian of the village of Edgewood. Quiet and peaceful Ashyn, with her mystical canine Tova, assists the spirits of the dead in her role as "Seeker." The girls are still in training when Edgewood is invaded by an army of the undead. They get separated, leaving Moria paired with Gavril (a surly but attractive young guard) and Ashyn with Ronan (a prisoner sentenced to exile in the bordering Forest of the Dead). The vicious zombielike shadow stalkers kill nearly every adult in the village, turning them into undead creatures like themselves—including the sisters' father. As Ashyn and Moira continue their separate but long and dangerous treks through "the Wastes" to the nearest village of Fairview, their journeys are wrought with terrifying and legendary beasts; their loyalties are constantly tested. The first book in a series, Armstrong's tale offers a fascinating mythical world filled with danger, monsters, and betrayal at every turn. The bulk of the narrative includes quests and emerging relationships—the most exciting of which is that between Moria and Gavril. But the more subtly developed relationships—such as the bond between the sisters and the relationship they share with their respective spirit animals—are just as intriguing. Fantasy fans will enjoy the complex world but the ending may feel too abrupt considering the time spent reading this long tale.—Tara Kehoe, New Jersey State Library Talking Book and Braille Center, Trenton

From Booklist
In Armstrong’s Age of Legends trilogy starter, twin sisters Ashyn and Moria were fated from birth to be Keeper and Seeker of Edgewood, the “most spiritually dangerous place in the empire.” Their calling means they are to soothe the restless souls in the nearby Forest of the Dead. When they head to the forest for an annual ritual, the 16-year-old girls instead are thrown for a loop when things go wildly awry and they are separated. Accompanied by their bonded animals—canine Tova for Ashyn and feline Daigo for Moria—and two particular boys who have each caught the eye of a twin, the girls must venture deeper into the forest on a long journey with an uncertain outcome. Although the horror elements that crop up here and there enliven the story, the plot’s overall plodding effect slows down the pace, as do the uninspiring personalities of the main characters. Still, this will likely find an audience among Armstrong’s strong following. HIGH-DEMAND BACKSTORY: Armstrong is a New York Times best-seller, and the national marketing plan—including a five-city author tour—reflects this. Grades 8-12. --Julie Trevelyan

Most helpful customer reviews

37 of 39 people found the following review helpful.
I tried, but couldn't get into this book.
By BookGeek
I tried with this book. I really did. I tried day after day, week after week. Soldiering on. Saying to myself “this is Kelley Armstrong! You love her, especially her YA.” But, alas, I did not love this book. It was a struggle to get even to the halfway point, because it’s boring. I kept holding out hope as I saw foreshadowing for action, for romance, for drama, etc. I kept thinking “well, when she figures out she likes him then it will pick up.” Or “Oh, good, action scenes now the story starts,” but it just didn’t.

I truly liked the idea. It’s very high fantasy with twin sisters who are completely different, but share the task of protecting their villiage, because they are the seeker and the keeper. I didn’t finish the book, but from the halfway point, I’m still not clear what those titles mean. I understand that they ward of spirits and do rituals to protect the land while connecting to their spiritual pets, but I just wasn’t on the same page as the author.

This is some of Ms. Armstrong’s weakest and slowest world-building and her sloppiest characterization. I didn’t care. It pains me to say this about the work of an author I so admire, but I just didn’t care. I couldn’t make myself get into the mystery or empathize with the characters. It seemed to be that they only difference between the twins was that Moira was the cliche too tough for her own good YA heroine and her sister was the Mary Sue learns to be strong YA cliche. I’ve read both of these characters before, the difference is that I have never read them side by side.

Even that approach could have been interesting, but like I said, I was bored. Other reviewers have commented that it picks up later in the book, so maybe I will check it out later, but right now I am tapped out.

*ARC Provided by HarperCollins and Edelweiss

0 of 0 people found the following review helpful.
I Love It!
By Ginger Welch
The imagination is boggling. This book kept me on the edge of my seat. I can't wait to read the next book!

18 of 18 people found the following review helpful.
Sea of Shadows (Age of Legends #1)
By Leeanna Chetsko
I finished SEA OF SHADOWS a few days ago, but I barely remember it. I would have written my review right after finishing, but I was really underwhelmed by the book and didn’t know what to say. Unfortunately, I still don’t know what to say, which is indicative to me that the book was, well, blah.

SEA OF SHADOWS is basically set up for the rest of the series. Almost an entire book of exposition. While I was reading, I kept wondering when something big or exciting or important was going to happen. Now, don’t get me wrong — there are battles, there’s some danger, a village even gets slaughtered. But it was all …. disjointed and slow. When I finally finished the book, I almost felt cheated because I expected more from such a best selling author.

If you’re a fan of Game of Thrones, I’m pretty sure you’ll be disappointed by this book. It’s just not on that scope. The romance is also the farthest thing possible from “heart-stopping,” although I did appreciate Moria’s attitude towards boys. She didn’t care for romance, but also didn’t see anything wrong with having some fun and experimenting if the time was right.

The world in SEA OF SHADOWS is some combination of post-apocalyptic setting, historical fiction, and fantasy, but I needed a lot more worldbuilding. The characters were also flat and 2-dimensional. Moria and Ashyn have alternating chapters, but their voices were very similar, with Moria being the headstrong, kickass warrior and Ashyn the nicer, romantic thinker. And don’t get me started on the love interests. I wanted to slap everyone and ask them WTF they were doing, falling “in love” days after almost everyone they know has been killed. Let’s try being friends first, and concentrate on the big picture, okay?

All that said, would I continue this series? Maybe. I am curious about what will happen next, and to see what the author has in mind with the world. That’s why I gave SEA OF SHADOWS 2 stars instead of 1 star.

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